Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
And through the hands of the apostles many signs and wonders were done among the people. And they were all with one accord in Solomon's Porch. Yet none of the rest dared join them, but the people esteemed them highly. Acts 5:12-13 When Grandma needed healing, her children knew the…
Like certain kinds of music, the unchanging rhythm of Aquinas's Summa gets into your bones. Read a few sections and it begins to run through your head. You start drumming your fingers, humming, swaying gently to the rhythm of Videtur-Sed Contra-Responsio, Videtur-Sed Contra-Responsio, “It seems-On the contrary-I answer.” The only…
And Arpachshad lived thirty-five years, and became the father of Shelah . . . And Shelah lived thirty years, and became the father of Eber . . . and Eber lived thirty-four years and became the father of Peleg . . . and Peleg lived thirty years, and became the…
Of course, the title should be something like, “The Fall of the Angel Who Came to be Satan,” but that and other more accurate titles are too cumbersome. The question is: who is Satan, and when and how did he become “Satan” (Adversary, Accuser) and the “devil” (slanderer)? By my…
In The Oddness of the Feast of Booths , we saw that the Feast of Booths is a commemoration of the first encampment of Israel at Sukkoth (Booths) in Exodus 12:37, almost certainly the first celebration of the week of Unleavened Bread after the first Passover. The Feast of Booths…
This piece was originally published in 1989. 1. The Blessed Hope "Looking for the blessed hope and the appearing of the glory of our great God and Savior, Christ Jesus." Titus 2:13 I was recently asked how I as a postmillennialist would preach on "The Blessed Hope." This is often…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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