Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The Christian tradition has always had an uneasy relationship with the materiality of creation. Dirt, liquid, sex, blood, and bodies—the world and the flesh stand in company with the Devil as two of the three great enemies of the saints. Mundus, caro, et diabolus , as the old Latin saying…
Since the destruction of Jerusalem was an event of earth-shattering covenantal significance, what might be the meaning of the subsequent tragic events at the desert fortress of Masada? In Hebrew, the name Masada means “strong foundation or support,” from a root meaning “to hunt, lie in wait for prey.” Located…
Take a long look at the photo above. To whom is this woman praying? It is hard to tell, isn’t it? Suppose we watch her for a while. We may see her bow low to the floor. Her lips may move, though perhaps it is too low for us to…
Psalm 137 is widely regarded as one of the meanest of the imprecatory psalms. Certainly as we read it it is seems to be a song of pure vengeance. The exiles in Babylon, in grief over the judgment that Babylon has brought upon them, pray for the destruction of that…
Forty men and women came from all over the United States to attend the 2018 Trinity Term course at Theopolis. Pastors, students, teachers, an electrician, a city planner, and others from a variety of denominations spent five days at Beeson Divinity School studying covenant epistemology under the tutelage of philosopher…
Matthew records that Jesus "withdrew" to Galilee to begin His public ministry there after He "heard that John had been delivered up" (Mt. 4:12). Matthew’s typically matter-of-fact style veils the truly remarkable character of Jesus’ withdrawal. Matthew has been presenting Jesus as the Messiah, the Seed of Abraham and Son…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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