Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Thus says the Lord: “A voice is heard in Ramah, lamentation and bitter weeping. Rachel is weeping for her children; she refuses to be comforted for her children, because they are no more” (Jer 31:15). The Night of the Hunter belongs on every Christian’s Christmas list. My family has even…
One important part of Jesus's birth narrative is the presence of angels. The angel Gabriel appeared to the Virgin Mary, announcing that she would bear a son. And then, on the night Jesus was born, a whole host of angels appeared to the shepherds. Angels are mysterious creatures to us.…
I was settled nicely into my chair and listening to the conversation in an undergrad religion seminar, my last required course to graduate. Though a few Christians sat scattered around the room, the course itself was dedicated to poking holes in traditional understandings of the Bible: our readings deconstructed notions…
God’s symbols belong to Him and to His people. They are constantly at work in the world, including the world of film, music, painting, architecture, and other artforms. You cannot escape God’s symbols or the meaning He has woven into the created order. Artists use and borrow God’s symbols, whether…
For centuries, Christians identified Israel in the Old Testament as a single, literal ethnic group, often called “the Jews.” Even supersessionists – those who believed the Church superseded Israel – assumed the clear-cut, technical definition of “Israel” in the Bible is the ethnic group. However, a deeper dive into Genesis,…
Misreading Intent In the opening verses of Matthew 11, the reader is confronted immediately by John the baptizer who has been imprisoned since 4:12. John poses a question to Jesus, inquiring from prison as to whether or not he is Israel’s awaited Messiah or if they should anticipate another: “Are…
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There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning.
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew…
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of this world founded upon a…
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh consonants of ’ to eat of…
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to…
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every attractive feature of anything whatsoever, radiates outwards, rendering things apprehensible and…
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