Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
What happens at the Table of the Lord? If Christ is really present, then how is this so? The witness of the Church throughout history has been that Christ is present in the Eucharist through the operation of the Holy Spirit, and in the practice of the Church, prayers at…
In the power of the Spirit, the gospel forms a society in which there is neither Jew nor Greek, slave nor free, a society that is characterized by unity, long-suffering, patience; love. The gospel forms a culture whose participants do not steal but labor and give, who are not angry…
At the 1997 Biblical Horizons Summer Conference, the Rev. Jeffrey Meyers presented a series of remarkable lectures on the gospel of Mark. Among his many insightful comments, he suggested that the second gospel continues where the first gospel ends; Matthew ends with Jesus saying "Go" (Matthew 28:19), and Mark’s shows…
On October 25 at Avondale Brewery , Theopolis will be co-sponsoring the 2nd Annual Birmingham Life and Culture Series. This year's event will feature author Joseph Bottum. Joseph is known for his writings on literary criticism, religion, and his short stories. Essayist and reviewer Mary Eberstadt has said that "his…
One of the curiosities of the New Testament revelation is its focus on Galilee. The region of Galilee was given to Asher, Zebulun, Naphtali, and Issachar, and the events of Judges 4-8 occurred there, so it had some importance in Israelite history. But when the tribe of Ephraim led the…
In a recent post , Ian Paul discusses the practice of allegorical interpretation, reflecting in particular upon a conversation he had with someone concerning the reading of the story of Rahab. Paul’s interlocutor argued strongly for an allegorical reading of the Rahab story, writing: “Joshua is a type of Christ…
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There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning.
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew…
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of this world founded upon a…
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh consonants of ’ to eat of…
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to…
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every attractive feature of anything whatsoever, radiates outwards, rendering things apprehensible and…
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