Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In the November 1993 issue of Open Book Peter Leithart commented briefly on gnosticism. The film 2001 is a great specimen of gnosticism, and is worth viewing as a Sunday School project for an adult class. The author of the basic story was Arthur C. Clarke, an old-school science fiction…
Alfred Hitchcock’s earlier movies display a strongly moral, even Christian, point of view, and certainly can be enjoyed by Christian viewers. His later works, such as Psycho , The Birds , and his television series, are not as clearly moral in tone. In these later efforts, Hitchcock brought humorous or…
“What art thou, thou idol ceremony?” asked Henry V during his midnight rounds of the English camp near Agincourt. His answer was that ceremony was both nothing and everything. It was nothing in the sense that it offered no guarantee that the king would be fit for office. Contrary to…
You, however, continue in the things you have learned and become convinced of, knowing from whom you have learned them; and that from childhood you have known the sacred writings which are able to give you the wisdom that leads to salvation through faith which is in Christ Jesus. All…
My research has led me to the conviction that there are three major periods of Biblical history, which lead to a fourth. These are the Ages of the Father, the Word, and the Spirit. The First Age, that of the Father, is recorded in the book of Genesis. It focuses…
Both Bible history and the current consensus chronology of the ancient world are tied up intimately with Egyptian history and chronology. Thus, as we broaden Biblical Chronology beyond the matter of adding up numbers and try to integrate Biblical chronology with the ancient world, the place to start would seem…
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There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning.
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew…
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of this world founded upon a…
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh consonants of ’ to eat of…
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to…
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every attractive feature of anything whatsoever, radiates outwards, rendering things apprehensible and…
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