Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
This essay is adapted from my articles in Theopolis’s In Medias Res as a series of Holy Week meditations. Like many celebrities such as Kanye or Beyoncé or Adele, Josquin des Prez (d. 1521) was often known only by his first name, in his own time as now. “Josquin” is…
Sight is a major theme in the scriptures. The church has long identified sight’s relationship to the future fulfillment of the eschaton. As Paul says, “For now we see only a reflection as in a mirror; then we shall see face to face” (1 Cor 13.12). Sight is associated with…
What is the chief end of man? —yes, to glorify God and enjoy him forever. But how ought man–and all creation–so glorify him? I propose a Theopolitan addition to the catechism, question and answer number 1.5, begun in the last question and answered as follows: Earth’s inhabitants were created to…
Naphtali is a hind let loose: he giveth goodly words. Genesis 49:21 Frederick Buechner once said, “We move into the extraordinary by way of the ordinary.” In poetry, this happens by way of a compressed code of analogs; often, two or more very ordinary things begin to reveal something that…
The evangelical milieu of America has often lost a vision of the fruit of repentance. We tend to simplify repentance by asking for forgiveness. After all, Jesus tells Peter to forgive 70 times 7. This verse must be paired with Paul’s scoffing at the question: why not sin more so…
I. The hemorrhaging woman. En route to Jairus’ house, Jesus is touched by a woman with a hemorrhage of blood (Matt 9:18–26; Mk 5:21–34; Lk 8:40–48). The story is one that many of us know very well. She has been yoked to her illness for twelve years, all of her…
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There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning.
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew…
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of this world founded upon a…
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh consonants of ’ to eat of…
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to…
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every attractive feature of anything whatsoever, radiates outwards, rendering things apprehensible and…
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