Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Summary In what follows, I will consider the “year-stamps” employed in Scripture, i.e., statements of the form, “Such-and-such an event took place in the Xth year of Y.” In the process, I will suggest some ways in which the Biblical narrative might relate to events in the extra-Biblical world, though…
In the first essay on the parable of the Prodigal Son, I suggested that the problems commentators and others encounter in interpreting Jesus three-part parable are not accidental. These are not just problems in our ignorance of cultural background. They are intentional features of the stories —stories designed to poke…
The story of the Prodigal Son is perhaps the most well-known story in the Bible. As others have observed, it may also be one of the most misunderstood. In two short essays, I will point out features of this story that are commonly neglected, aspects of Jesus’ parable that might…
The parable of Lazarus and the nameless rich man is not an independent story. It is part of a long context that begins in Luke 15:1, where Jesus is eating with tax collectors and sinners and the scribes and Pharisees grumble. In response to their hardheartedness, Jesus tells a three-part…
The Bible is written so that even when a reader cannot pick up on what might be deeper or more detailed aspects of a text, there is virtually always a message to be heard. In the ancient world, where the “reader” of Scripture would likely be a church official facing…
The distinction between garden (or vineyard) and field begins in Genesis 2. This relates to the ordering of the formless world. Plants of the field are contrasted with the garden planted by God in Genesis 2:5&8. Later on, under the Old Covenant the Israelites will be required to keep their…
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T homas Nagel reviews Daniel Dennett's latest, From Bacteria to Bach and Back , in the NYRB . It's a wild ride. Reality, real reality, is the matter-in-process that science describes, Dennett argues. Dennett is famously, insanely consistent in his materialism. Nagel writes, “Bach’s or Picasso’s creative genius, and our…
C harles Rosen celebrated Chopin's birth in June 2010 with a NYRB essay on the composer. Rosen observed that until the twentieth century, Chopin was often treated as a minor figure: “Chopin’s concentration on the genres of salon music considered trivial—nocturnes, mazurkas, waltzes—placed him among the miniaturists. Critics could not…
I n his history of popular culture in early modern Europe, Peter Burke traces what he describes as the “triumph of Lent” during the 17th and 18th centuries. He refers to Brueghel’s painting, Combat of Carnival and Lent and says, “I am tempted to interpret ‘Carnival,’ who belongs to the…
W illiam Henry Green's 1890 Bibliotecha Sacra essay on “ Primeval Chronology ” has been a touchstone of evangelical biblical scholarship for over a century, its arguments regularly cited or alluded to by scholars dealing with the genealogies of Genesis 5 and 11. In response to skeptical challenges to the…
I n his recently-published Sign and Sacrifice , Rowan Williams notes the continuity between the post-Maccabean theology of martyrdom and the death of Jesus. For intertestamental Jews, as for Romans, death could be noble and triumphant. There's a radical discontinuity too. For Jews (as for Romans), martyrs triumphed because they…
H elmut Kuhn begins his 1941 article on “true tragedy” by noting the chronological proximity of Plato and Sophocles: “When Sophocles died, Plato had just come of age. So the question naturally arises whether the chronological succession is historically significant. Can we discover a line of development leading from Aeschylus…
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