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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Biblical Studies

The Art of Why

“We have a God who hides things because He loves to be sought out, chewed out and found out.” As Christians, we are rightly taught that we must not question God’s Word. The problem is that the Scriptures record many things which appear to have been given to us for…

by Mike BullMay 12, 2015
last-supper
Revelation

Eucharistic Harvest

The book of Revelation is a liturgy. John begins “in the Spirit” on the “Lord’s day” (1:10). Jesus appears, and Jesus tells him to record messages to seven churches, words of encouragement and rebuke, like the call to worship and confession at the beginning of a Christian liturgy. In chapter…

by Peter LeithartMay 7, 2015
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Creation

Maker of Heaven and Earth, (Part 5)

In my previous posts, I looked at the theme of creation as it is found in a sequence of psalms devoted to Yahweh’s Kingship (Psalms 93-100). Among other matters, these psalms declare that when the Kingdom of Israel’s God comes, it is the Kingdom of the world’s own Creator .…

by Stephen LongMay 7, 2015
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Deuteronomy

Paul the Levir

The church in Corinth was a pastoral nightmare. Factionalism, sexual immorality, incipient syncretism, using the church as a stage for self-promotion, and denial of the final resurrection were just some of the problems. In Paul’s first letter to the Corinthian church, he confronts each of these problems directly and in…

by Bill SmithMay 5, 2015
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Covenant

Covenant Structure in Genesis 2

The first chapters of the Word of God have a poetic rhythm. This is used to discredit their accuracy as historical narrative, but the truth is that these same rhythms continue far beyond the book of Genesis. In fact, the later texts shed light on the frustratingly succinct account of…

by Mike BullApril 30, 2015
light-bulb
Creation

Must A Light Bulb Be "Oriented Toward Illumination"?

Mr. Martian: What’s that there? Mr. Edison: (Edison holds up a standard, 60 watt lightbulb). It’s a lightbulb. Mr. Martian: A “lightbulb” you say? What exactly is a “lightbulb”? Mr. Edison: A lightbulb is an object used to illuminate a dark area, say a room. It’s made primarily of filament…

by Gerald HiestandApril 28, 2015

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Philosophy

More Reflections on Postmodernism

Back to reflections on post-modernism: It seems that Freud, not Nietzsche, is the really grandfather of the movement, though, not unexpectedly, some sons and grandsons efface his memory and resist his influence (not all, of course).

October 28, 2003
History

Courtly Love

On courtly love: The basic shift is from the ancient and early medieval view that eros sapped and vitiated virtus to a belief that eros was a condition of the possibility of virtus and valor. This is, as Lewis said, a seismic shift in sensibility, one that we still do…

October 28, 2003

Structure of Romans 1:16ff.

Jouette Bassler’s 1984 article “Divine Impartiality in Romans” ( Novum Testamentum ) present structural arguments for saying that the section beginning in Rom 1:16-18 runs through the middle of chapter 2. This is evident from the repetition of the verb prasso in 1:32 and again in 2:1-3; thus the center…

October 28, 2003
Philosophy

Postmodernism and the ’60s

It’s not at all accidental that postmodernism takes its rise in the mid-1960s. Bloom wrote the first draft of the anxiety of influence in 1967, and revised it over several years before its initial publication in 1973. Derrida’s annus miraibilis was 1967, which saw the publication of Speech and Phenomena…

October 28, 2003
Philosophy

Postmodernism and the ’60s

It’s not at all accidental that postmodernism takes its rise in the mid-1960s. Bloom wrote the first draft of the anxiety of influence in 1967, and revised it over several years before its initial publication in 1973. Derrida’s annus miraibilis was 1967, which saw the publication of Speech and Phenomena…

October 28, 2003
Philosophy

Murder of Father

Turns out that Harold Bloom’s “anxiety of influence” is just another variation on the same set of themes that Derrida is obsessed with — the son’s murder of the father. For Bloom, the son is the “strong poet” who resists the influence of his predecessor/father in order to carve out…

October 28, 2003

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