Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
“We have a God who hides things because He loves to be sought out, chewed out and found out.” As Christians, we are rightly taught that we must not question God’s Word. The problem is that the Scriptures record many things which appear to have been given to us for…
The book of Revelation is a liturgy. John begins “in the Spirit” on the “Lord’s day” (1:10). Jesus appears, and Jesus tells him to record messages to seven churches, words of encouragement and rebuke, like the call to worship and confession at the beginning of a Christian liturgy. In chapter…
In my previous posts, I looked at the theme of creation as it is found in a sequence of psalms devoted to Yahweh’s Kingship (Psalms 93-100). Among other matters, these psalms declare that when the Kingdom of Israel’s God comes, it is the Kingdom of the world’s own Creator .…
The church in Corinth was a pastoral nightmare. Factionalism, sexual immorality, incipient syncretism, using the church as a stage for self-promotion, and denial of the final resurrection were just some of the problems. In Paul’s first letter to the Corinthian church, he confronts each of these problems directly and in…
The first chapters of the Word of God have a poetic rhythm. This is used to discredit their accuracy as historical narrative, but the truth is that these same rhythms continue far beyond the book of Genesis. In fact, the later texts shed light on the frustratingly succinct account of…
Mr. Martian: What’s that there? Mr. Edison: (Edison holds up a standard, 60 watt lightbulb). It’s a lightbulb. Mr. Martian: A “lightbulb” you say? What exactly is a “lightbulb”? Mr. Edison: A lightbulb is an object used to illuminate a dark area, say a room. It’s made primarily of filament…
Showing page 154 of 309
Showing page 28 of 43
Charon Ross offers a brilliant analysis of rock concerts as ecstatic experiences ( Gifts Glittering and Poisoned , 132-4). The concert is a carefully orchestrated symbolic constellation “designed to enable the spectator to have experiences of ecstasy so wonderful and powerful that they are difficult to capture with words. Euphoria…
What Do Pictures Want? seems an odd title for a book on picture theory. WJT Mitchell intends his title to highlight the “double consciousness” that we have toward images. “why is it that people have such strange attitudes toward images, objects, and media? Why do they behave as if pictures…
Detached from the Eucharistic liturgy, preaching is at sea. Preachers announce the gospel and call our people to faith. We also want to give them something to do. There are dangers on both sides: We may so much emphasize the grace of God that we provide sophisticated excuses for passivity…
A year ago, Sarah Ditum wrote a piece for The New Statesman that compared abortion with organ donation, pointing out that the demands on a pregnant woman's body are far greater than the demands laid on organ donors: “giving away a bagful of gore or a chunk of liver that…
According to Fintan O'Toole's NYRB review , James Shapiro's The Year of Lear helps to unravel some of the mysteries of that most haunting of Shakespeare's tragedies. O'Toole nicely captures why the play is so haunting: “King Lear is not apocalyptic, it is far worse. Instead of deserved damnation and…
Geert Buelens's Everything To Nothing offers a European-wide review of the poets writing before and during World War I. It is a tour de force , recalling forgotten poets to vivid life and setting better-known poets in a new European context. The poets, he argues, were not only observers but…
Showing page 354 of 2212
Your weekly digest for all things Theopolis.
