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Biblical Chronology

Chronologies and Kings: Part 3

The chronology of the Kings of Judah and Israel can be divided into three periods with clearly defined boundaries. The first period begins with the death of Solomon and the accessions of Rehoboam in the south (Judah) and Jeroboam in the north (Israel). It ends with the deaths of Ahaziah…

by James B. JordanSeptember 22, 1991
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Art

Arts & Play, Part 1

Most modern people regard the arts as essentially decorative. They are hardly very important, as compared to business, politics, or religion. Yet, from a Biblical point of view, the arts lie close to the heart of human life. The universe that God created is itself an artistic masterpiece by the…

by James B. JordanSeptember 22, 1991
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Exodus

Chronologies and Kings, Part 2

Before we move into a detailed survey of the history and chronology of the kings of Israel and Judah, let us review the chronological information that leads from creation to the kingdom. This will be helpful both to new readers of these essays, and a reminder for those who have…

by James B. JordanAugust 22, 1991
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Biblical Chronology

Chronologies and Kings, Part 1

We have completed our overall survey of Biblical chronology, and now turn to a detailed examination of the Biblical information regarding the chronology of Israel’s kings. The first piece of chronological information we have regarding Israel’s kings is very cryptic, and it serves as an guide to the interpretation of…

by James B. JordanJuly 22, 1991
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Biblical Horizons

Book Review - To Take Place: Toward Theory in Ritual

Jonathan Z. Smith, To Take Place: Toward Theory in Ritual (Chicago: University of Chicago Press, 1987). Reviewed by Peter J. Leithart. The philosophes of the 18th century often attacked Christendom using the tools of anthropology and comparative religion. Rousseau contrasted the idyllic equality of primitive, natural peoples with the bondage…

by Peter LeithartJuly 6, 1991
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Biblical Horizons

Book Review: The Rise of Magic in Early Medieval Europe

Valerie I. J. Flint, The Rise of Magic in Early Medieval Europe (Princeton University Press, 1991). Reviewed by Peter J. Leithart. Valerie I. J. Flint, Professor of History at the University of Auckland, New Zealand, is refreshingly candid about her reasons for undertaking a study of The Rise of Magic…

by Peter LeithartJuly 6, 1991

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Life in a Medieval Parish

“Parochial Christianity,” writes Mark Greengrass ( Christendom Destroyed ), “was more than a religious experience. It was a set of rights to benefices which were the key to monopoly revenues (the tithe, collected in various forms) in which patrons, collators and clergymen all had interests. And behind every parish church…

June 5, 2015

Crusoe Errant

Robinson Crusoe suffers enormous hardship before he ever gets to his island, and the hardship seems disproportionate to the wrong he commits. Is running off to sea against his father's wishes such an enormity? In his classic study of Defoe and Spiritual Autobiography , GA Starr explains that Robinson “defies…

June 4, 2015

Restorative Justice

Howard Zehr makes clear in his Little Book of Restorative Justice that “restorative justice” isn't a panacea. It doesn't pretend to replace the the legal system, nor is it necessarily opposed to retribution (12-13). Primarily, restorative justice is an effort to put the principle actors back at the center of…

June 4, 2015

Gift of Work

RJ Snell's Acedia is about acedia. But before he gets to his extended analysis of that vice, he offers a superb, brilliantly brief, ontology and anthropology, drawing on the resources of Trinitarian theology and the book of Genesis. Among other things, Snell emphasizes the gift that is human work, a…

June 4, 2015

On a cloud

John sees one like a son of man on a cloud, holding a sickle (Revelation 14:14). We assume that He's traveling down to reap the harvest, but is that correct? The original for this son-cloud combination if Daniel 7:13, where it is clear that the Son of Man comes up…

June 4, 2015

Ideological art

D avid Goldman ( It's Not the End of the World, It's Just the End of You ) argues that “modern art is ideological, as its proponents are the first to admit. It was the ideologues, namely the critics, who made the reputation of the abstract impressionists, the most famous…

June 3, 2015

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