Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
We have moved from death to new life, from Lenten darkness to Easter light. And while Easter Sunday may have come and gone, it's effects are continually with us. This season has brought with it several new relationships, events, and signs of growth for Theopolis. We have been networking with…
In The People's Work , a social history of Christian Worship, Frank Senn summarizes the developments of the medieval period with regard to the Eucharist. He begins by challenging the assumption that medieval society was held together by “the church.” He notes that the church was often divided and conflicted,…
The structure of the Bible resembles something which was grown rather than built, composed rather than assembled. Its employment of “structure-as-sign” at every level from micro- to macrocosmic leads to the conclusion that a hermeneutic worthy of Scripture requires not only training in history, art and music but also the…
For some in first-century Israel, Easter was anything but good news. It was a terrifying surprise. For the rulers and powers that put Jesus to death, the idea that He had been raised by some power beyond their control was chilling. Early in Luke’s gospel, we're told that Herod thought…
Simon Peter went up, and drew the net to land, full of large fish, a hundred and fifty-three; and although there were so many, the net was not torn. (John 21:11) This is one of those texts in the Bible that many people puzzle over. It is not a puzzle…
God is not mocked, Paul says. God is mocked, says Matthew. Who’s right? The two are in perfect harmony, but to see that, we need to run through the passage again. We’ll see that at every point, the mockery is being turned against the mockers. At every point, mockery is…
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In Rune 40 of the Finnish epic, Kalevala , the hero, Wainamoinen, is sailing with his friends to Pohjola, where he intends to recover the Sampo, a talisman of good luck and extraordinary, mysterious power. No one today quite knows what the Sampo was, but many of the episodes of…
Chaucer, like Shakespeare after him, set some of his poems in ancient Greece. The “Knight's Tale” takes place in Athens, ruled by the same “Duke” Theseus who rules Athens in Midsummer Nights Dream . Troilus and Cresyde is a Trojan love tragedy. Neither of these works, however, shows much deep…
According to C. S. Lewis ( English Literature in the Sixteenth Century , 27-28), English humanists were most interested in style, but the style was mostly Latin: “Greek was given abundance of ‘mouth honor,’ but only the minor Greek authors (Plutarch, Heliodrous, Chilles Tatius, the Anthology) were really relished. Greek…
Emily, the lady-love of Chaucer's “Knight's Tale,” the first of the Canterbury Tales, appears in a garden, and the poet describes her as if where were part of the garden. She is Eve in Eden. But this is no Edenic world. The men who see her are locked out of…
Tragic stories are fall stories. Whether through moral wrong or through some inadvertent hamartia , the tragic hero falls from a high place. Others are engulfed in the tragedy to one extent or another, but not everyone. Those who watch can experience the catharsis of pity and fear by watching…
C S. Lewis describes the formation of medieval allegorism in his classic Allegory of Love . He begins by distinguishing between an allegorical and a sacramental or symbolic turn of mind. Allegory begins, he says, with “an immaterial fact, such as the passions which you actually experience” and finds ways…
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