Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Mrs. Marguerite Lane of Grand Rapids writes to ask if I have ever noticed a correlation between the eight beatitudes of Matthew 5 and the eight woes of Matthew 23. I confess that I have not. A glance at various commentators reveals that such a correspondence does not seem to…
1. The words of Agur, the son of Jakeh, the burden. The man declares to Ithiel, to Ithiel and Ucal: 2. Surely I am more stupid than any other man, And I do not have the understanding of a man. 3. And I have not learned wisdom, But I have…
Psalm 137 is widely regarded as one of the meanest of the imprecatory psalms. Certainly as we read it it is seems to be a song of pure vengeance. The exiles in Babylon, in grief over the judgment that Babylon has brought upon them, pray for the destruction of that…
In the Levitical law, the priests received two particular portions of each peace offering: the "wave offering" of the breast and the "heave offering" (or better, "contribution") of the right thigh. The purpose of this essay is to attempt to determine the reason why the second of these, the thigh,…
The story of Jesus’ visit, early in His ministry, to the synagogue in His home town of Nazareth is recorded for us in Luke 4:16-30. You may remember that Jesus read from Isaiah about how the Messiah would preach the gospel, care for the poor, work miracles, and bring in…
(The essay that follows concerns a rather touchy subject: how the Lord’s Supper is to be done. I am not writing to insult or offend, but to challenge. To that end I have not "held back" but have "gone ahead" and said what I think needs to be said —…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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