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Matthew

What Tune is Playing? (Matthew 11:1-19)

Matthew’s gospel is a replay of Israel’s history, and this replay occurs at two different levels. On the one hand, Jesus relives Israel’s history and does it faithfully. He is the Son, the true Israel, called out of Egypt, baptized in the sea, tempted in the wilderness. He is the…

by Peter LeithartJanuary 14, 2014
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Theopolis News

Constantine, Christendom, Christian Renewal

Trinity House President Peter Leithart will deliver two lectures at the Eighth Day Institute annual conference in Wichita, Kansas, January 16-18. The conference theme is "Constantine, Christendom, and Christian Renewal," and Dr. Leithart will be lecturing on Constantine. Dr. Leithart will preach on Sunday, January 19, at Trinity Covenant Church…

by Peter LeithartJanuary 13, 2014
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Matthew

Treasures in Matthew's Genealogy, 2

In the previous article, we considered the life of Abraham up to the birth of Isaac and the way in which his life up to that point foreshadows later redemptive history. Our reason for this consideration was at the Gospel of Matthew's behest. He pointed us in that direction. He…

by Kelly KerrJanuary 9, 2014
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Theology

The Trinity and the Nations, 3

The Spirit of Speech The last period in Israel’s history arrives almost from nowhere. The prophets appear unannounced, give short, but earth-shattering messages and then are whisked away by the Spirit (1 Kings 18:12). They do not hold high positions in Israel, but their words give them great political sway.…

by Brian MarrJanuary 7, 2014
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Theopolis News

Nevin Lectures

Trinity House Institute is delighted to announce our first annual series of Nevin Lectures. Timothy George, Dean and Professor of Church History at Beeson Divinity School, will deliver four lectures on “Sacramental Theology from a Baptist Perspective” on February 7-8, 2014 at Trinity Presbyterian Church in Birmingham, Alabama. More information...…

by TheopolisJanuary 2, 2014
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Revelation

Him Whom They Pierced

Revelation 1: 7 states the theme of Revelation. It is a self-standing verse, beginning and ending with “Amen” (the “Amen” at the end of verse 6 should be taken as the beginning of the statement in verse 7). A double Amen as a double witness, and it becomes a threefold…

by Peter LeithartJanuary 1, 2014

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ShakespeareStory

Call Me Malvolio

Call me Malvolio. I was lately the steward of the house of the great and famed Countess Olivia of Illyria. You may have heard of her. I had charge of my Lady’s household retinue, the maids and men who clean, cook, and care for the house. I do my work…

April 10, 2020
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Exodus

The Veil and the Screen

Exodus 26 describes the formation of the tabernacle - the layered curtains, the boards and bases, the bars that secure the boards. The chapter ends with a description of the paroket , the veil that separates the Holy Place from the Most Holy (Exodus 26:31-37; v. 33). The screen is…

April 8, 2020
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Coronavirus

A Time For Presence

We're forcibly separated from each other. Residents of many cities around the world are sheltered in place, permitted to leave home only for basic necessities. It's tempting to hunker down in our personal bunkers, avoid contact with others, and wait out the storm. The opposite is true. More than usual,…

April 6, 2020
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Exodus

Bars

The tabernacle has walls of gold-plated wood (Exodus 26:15-25). Those walls are held together by gold-plated bars (26:26-30). There are five bars on each of the long sides of the tabernacle (vv. 26-27), and five bars across the back wall (Exodus 26:27). The bars are held in place by gold…

April 3, 2020
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Coronavirus

Trust or Terror

In my First Things column last week, I examined the “apocalyptic” character of the coronavirus epidemic. “Apocalypse” doesn’t mean “end of the world,” but “uncovering” or “unveiling.” In the column, I focused on how the epidemic can unveil our sins, our decadence, our distorted values and desires. Plagues unveil what…

April 1, 2020
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DeathLiterature

Memento Mori

Virtually all the characters in Muriel Spark’s 1959 novel, Memento Mori , are over 70. They suffer the physical humiliations of aging and the pains of regret. Unexpectedly, hilariously, they’re as competitive and petty as schoolchildren. Well into his 80s, Godfrey Colston scorns the crippled critic Guy Leets for the…

March 30, 2020

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