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Matthew

What Tune is Playing? (Matthew 11:1-19)

Matthew’s gospel is a replay of Israel’s history, and this replay occurs at two different levels. On the one hand, Jesus relives Israel’s history and does it faithfully. He is the Son, the true Israel, called out of Egypt, baptized in the sea, tempted in the wilderness. He is the…

by Peter LeithartJanuary 14, 2014
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Theopolis News

Constantine, Christendom, Christian Renewal

Trinity House President Peter Leithart will deliver two lectures at the Eighth Day Institute annual conference in Wichita, Kansas, January 16-18. The conference theme is "Constantine, Christendom, and Christian Renewal," and Dr. Leithart will be lecturing on Constantine. Dr. Leithart will preach on Sunday, January 19, at Trinity Covenant Church…

by Peter LeithartJanuary 13, 2014
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Matthew

Treasures in Matthew's Genealogy, 2

In the previous article, we considered the life of Abraham up to the birth of Isaac and the way in which his life up to that point foreshadows later redemptive history. Our reason for this consideration was at the Gospel of Matthew's behest. He pointed us in that direction. He…

by Kelly KerrJanuary 9, 2014
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Theology

The Trinity and the Nations, 3

The Spirit of Speech The last period in Israel’s history arrives almost from nowhere. The prophets appear unannounced, give short, but earth-shattering messages and then are whisked away by the Spirit (1 Kings 18:12). They do not hold high positions in Israel, but their words give them great political sway.…

by Brian MarrJanuary 7, 2014
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Theopolis News

Nevin Lectures

Trinity House Institute is delighted to announce our first annual series of Nevin Lectures. Timothy George, Dean and Professor of Church History at Beeson Divinity School, will deliver four lectures on “Sacramental Theology from a Baptist Perspective” on February 7-8, 2014 at Trinity Presbyterian Church in Birmingham, Alabama. More information...…

by TheopolisJanuary 2, 2014
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Revelation

Him Whom They Pierced

Revelation 1: 7 states the theme of Revelation. It is a self-standing verse, beginning and ending with “Amen” (the “Amen” at the end of verse 6 should be taken as the beginning of the statement in verse 7). A double Amen as a double witness, and it becomes a threefold…

by Peter LeithartJanuary 1, 2014

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The Rites of Rock

Charon Ross offers a brilliant analysis of rock concerts as ecstatic experiences ( Gifts Glittering and Poisoned , 132-4). The concert is a carefully orchestrated symbolic constellation “designed to enable the spectator to have experiences of ecstasy so wonderful and powerful that they are difficult to capture with words. Euphoria…

November 6, 2015

We Were Never Modern

What Do Pictures Want? seems an odd title for a book on picture theory. WJT Mitchell intends his title to highlight the “double consciousness” that we have toward images. “why is it that people have such strange attitudes toward images, objects, and media? Why do they behave as if pictures…

November 6, 2015

The Altar Call

Detached from the Eucharistic liturgy, preaching is at sea. Preachers announce the gospel and call our people to faith. We also want to give them something to do. There are dangers on both sides: We may so much emphasize the grace of God that we provide sophisticated excuses for passivity…

November 5, 2015
Abortion

Whose Body Is It?

A year ago, Sarah Ditum wrote a piece for The New Statesman that compared abortion with organ donation, pointing out that the demands on a pregnant woman's body are far greater than the demands laid on organ donors: “giving away a bagful of gore or a chunk of liver that…

November 5, 2015

The Politics of Lear

According to Fintan O'Toole's NYRB review , James Shapiro's The Year of Lear helps to unravel some of the mysteries of that most haunting of Shakespeare's tragedies. O'Toole nicely captures why the play is so haunting: “King Lear is not apocalyptic, it is far worse. Instead of deserved damnation and…

November 5, 2015

The Poets of War

Geert Buelens's Everything To Nothing offers a European-wide review of the poets writing before and during World War I. It is a tour de force , recalling forgotten poets to vivid life and setting better-known poets in a new European context. The poets, he argues, were not only observers but…

November 4, 2015

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