Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
In my previous two posts, I looked at aspects of Psalms 93, 95, 96 and 98 that declare Yahweh, the divine King, to be the world’s own Creator. In my next post, I plan to argue that the creation theology of the sub-section constituted by Psalms 93-100 contributes to the…
Ethika Politika has published a fascinating interview within which the French Catholic philosopher Fabrice Hadjadj discusses his recent work on the subject of sexuality. While there are many points where our lines of reasoning as Protestants will sharply diverge from Hadjadj’s, there is also much that is deeply perceptive in…
For anyone in Shakespeare’s audience who knew the real story of Macbeth, his play must have been surprising. Shakespeare changed so many important details of the historical Macbeth’s life that had Raphael Holinshed, the main author of the most popular history of the British Isles in Shakespeare’s day — Holinshed…
I started looking at a sequence of psalms on divine Kingship (Psalms 93-100) in my last post, part of a series looking at the Old Testament’s witness to Yahweh’s exercise of absolute mastery over his cosmos. I am not trying to “prove” a doctrine of creation ex nihilo directly from…
Most of the time I believe that dread is wise, anxiety righteous, fear a holy thing. It sounds ridiculous, but bear with me. There are days when fear seems to be not only a rational response to my circumstances, but a moral duty. After all, being a grown-up means responsibility.…
Get the Psalm 36 Translation here Psalm 36 begins with several translation problems. First, the first word in the actual psalm, as it is found in the English text, is the word "oracle." This word also begins the second verse in the medieval Massoretic Hebrew text, which is our basic…
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James Jordan has suggested that the vision of new Jerusalem (Revelation 21:9-22:5) is arranged as a chiastic recasting of the creation week: A. Day 1: Light in the city, 21:10-11 B. Day 2: Boundaries and measurements of the city, 21:12-17 C. Day 3: Materials of the city, 21:18-21 D. Day…
The verb “show” ( deiknuo ) occurs eight times in Revelation, and the eight uses fall into a neat pattern. Twice at the beginning (1:1; 4:1) and twice at the end (22:6, 8), the verb is used with a generic object. God shows “things which must shortly take place” (1:1;…
In an essay on “barriers and bridges” in American religion, Stephen Warner emphasizes the role of music in building bridges, forging solidarity without requiring assent to a common set of propositions. He offers a florilegium of quotations from various scholars: “At an emotional level, there is something ‘deeper' about hearing…
William H. McNeill's Keeping Together in Time explores the role of “emotional bonding through rhythmic muscular movement” in history (52). The significance of the phenomenon occurred to him during military training in 1941: “A sense of pervasive movement in unison is what I recall; more specifically, strange sense of personal…
The final chapter of the Bible (Revelation 22:6-21) is a rapid series of speeches and dialogues, structured in fourfold parallelism. Each new section introduces a new speaker or speech with some form of “he said.” The speakers move from an angel to Jesus to the Spirit and bride. The chapter…
In a 2007 Bibliotheca Sacra article, Mark Hitchcock examines various theories about the identity of the seven heads of the beast in Revelation 17:9-11. It's been proposed that the number seven is purely symbolic of fulness, and that the heads are not to be identified with any historical characters. Hitchcock's…
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