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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Poetry

Seed-bearing Fruit

Ten-thousand ‘yeses’ and a single ‘no.’ From bough it dangles, beauty to the eyes, For belly, food, a fruit to make one wise. Too soon, they eat; they know; the leaves they sew, But, oh! the Love who asks, “Where did you go?” Confessions flow from under leaf’s disguise; A…

by Marc HaysAugust 16, 2023
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Augustine

Eternal Life Chiasm in John's Gospel

In his masterful work, De Doctrina Christiana , Augustine of Hippo writes: I would have learned men to know that the authors of our Scriptures use all those forms of expression which grammarians call by the Greek name tropes, and use them more freely and in greater variety than people…

by Doug PonderAugust 15, 2023
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Ruth

Lot, Ruth, and the Work of New Creation

“In accordance with the creation pattern, God sovereignly took hold of Adam and put him to sleep. Then God divided Adam by removing flesh and bone from his side, and restructured humanity into male and female. When Adam awoke, God distributed the woman to him. Adam gazed upon her and…

by Josh JensenAugust 8, 2023
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Culture

The Barbie Movie

Greta Gerwig’s new film, Barbie, has been criticized, probably rightly, for having too many ideas and layers to properly bring in any for a landing. Gerwig herself thought the script was so “ wild and anarchic ” that she was surprised WB agreed to make it. Many see it as…

by Robin HarrisAugust 1, 2023
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Matthew

Why Does John the Baptizer Look Like a Camel?

“Now John wore a garment of camel’s hair and a leather belt around his waist, and his food was locusts and wild honey” (Matt. 3:4). Why is John the Baptizer clothed with camel’s hair? Why does he want to look like a camel? Or at least: what does he expect…

by Jeff MeyersJuly 26, 2023
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Literature

Stinking, Rotten Ministers of the Gospel

In the second greatest story ever told, The Brothers Karamazov , Fyodor Dostoyevsky tells the story of a family plagued by the lasting legacy of sin’s destructive power and the all-surpassing truth that God is Light and in Him is no darkness. The young protagonist, Alyosha, is a monk committed…

by Garrett SoucyJuly 18, 2023

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Informative Nature

William Dembski's latest, Being As Communion , sets out a metaphysics of information, and argues for what he calls “informational realism.” Reality is information all the way down, but that information is real. It is reality. What is information? Dembski says it's “about realizing possibilities by ruling out others. Unless…

April 6, 2015

Only the beginning

John's account of the resurrection fulfills the promise of his prologue (John 20). Here is the Word made flesh, dead and buried, now risen as new Adam, the “gardener,” with Mary Magdalene, a type of the new Eve. The Word who spoke the worlds into being speaks also after death,…

April 5, 2015

First Resurrection, Second Resurrection

Elijah's life (1 Kings 17-19) tracks that of Moses. He confronts the Pharaoh-like King Ahab, then flees from the land, as Moses fled to Midian, where he is cared for by a widow. God provides miraculously for the prophet and his host, but then her child dies. In the Moses…

April 4, 2015
Fear

With Fear and Trembling

Paul Griffiths's Decreation has some harrowing passages about sin. Like this one: “What will be left of me when I am no longer a sinner? That is a question fundamental to trembling before hell's presence in the devastation [i.e., the fallen world]. Such trembling, however, like all well-formed Christian responses,…

April 3, 2015

God the Translator

A wondrous passage from Donne: “all mankind is of one author, and is one volume; when one man dies, one chapter is not torn out of the book, but translated into a better language; and every chapter must be so translated; God employs several translators; some pieces are translated by…

April 3, 2015

Why Diversions Don't Divert

Thomas considers acedia, “sloth,” as the opposite of delight. It is “sadness directed toward what ought to yield delight” (summary by Paul Griffiths, Decreation , 196). Paul Griffiths glosses: Acedia “is the mark of those sufficiently habituated to looking at nothing that when they look at something—and most especially at…

April 2, 2015

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