Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The sin of Ham in Genesis 9 continues to elicit comment, since it seems mysterious. We read in 9:21-23 that Noah uncovered himself inside (the covering of) his tent, that Ham (entered the privacy of Noah’s tent) and saw his father’s (not “Noah’s”, n.b.) nakedness, that Ham told his two…
Recently the magazine Tabletalk published a series of essays against Calvinist theologian N. T. Wright. The black cover of this issue lets us know just how dangerous this man is. But how dangerous is N. T. Wright? Well, he’s dangerous to some people, but not to others. Let’s see: He…
You need to read Rob Rayburn’s defense of his presbytery to the PCA SJC (Standing Judicial Committee). If you’ve been out of the loop on this, that’s okay. But what has happened in the last few years is that people have made accusations against Peter Leithart, and in response the…
What does it mean to read the Bible as inspired literature? The method is not new nor is it uncommon in Dutch Reformed circles. Exegesis must be Christocentric, plenary (all the text serves a theological purpose), respect the context in God’s redemptive plan, and plumb the full literary depth of…
Reading in John Calvin’s sermons on 2 Samuel today, I came across this wonderful statement. This comes from a sermon preached on July 3, 1562, “The True Worship of God,” an exposition of 2 Sam. 6:1-7. Calvin is discussing the implications of the affirmation that Yaweh, the God of Israel,…
A great deal of confusion about the relative value of “virginity” and marriage can be avoided if one pays careful attention to the text of Paul’s advice in 1 Corinthians 7. The two most important observations are: 1) that Paul’s specific recommendations are made because of the “impending crisis” (v.…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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