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Ephesians

Music and Drunkenness, Part 2

For Part 1, click HERE . How did Paul’s earliest commentators view his juxtaposition of music and drunkenness, and did they connect it to the ancient Greek ideas of musical ethos described in Part I? Origen, one of the earliest commentators on Paul, writes about Ephesians 5:18-19: One, however, who…

by John AhernMay 17, 2018
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Ephesians

Music and Drunkenness, Part 1

Perhaps it is because I am a musician that I have always found Ephesians 5:18-19 so arbitrary. But isn’t it a little odd to contrast music and drunkenness? Perhaps it is not obvious that that is what Paul is doing; I know, for myself, that it is remarkably easy to…

by John AhernMay 15, 2018
infant-baptism
Baptism

Unequal Holiness

In 1 Corinthians 7:12-16 Paul deals with how the Corinthian Christians are supposed to be relating to unbelieving spouses. He essentially tells them, “Look, if your unbelieving spouse is willing to stay with you as a faithful Christian, don’t initiate a divorce. If he/she wants to leave you, let him/her…

by Bill SmithMay 10, 2018
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Violence

The Sword of Adam: Preterism vs. Pacifism, (Part 2)

For Part 1, click HERE . Those who focus on the supposed “pacifism” of Jesus and condemn the violence of God’s judgments throughout the Old Testament overlook the ministry of sacrificial bloodshed as an alternative to human bloodshed. The sword bearing of the sacrificial system was introduced to avoid the…

by Mike BullMay 8, 2018
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Violence

The Sword of Adam: Preterism vs. Pacifism, Part 1

How should a Christian respond to the objection that the Bible, like the Koran, is a book of violence and bloodshed? Numerous answers have been offered by well-meaning exegetes, but none of them gets to the heart of the matter: God desires to place a sword in the hands of…

by Mike BullMay 3, 2018
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Theopolis News

Alastair Roberts Appointed As Adjunct Senior Fellow

Beginning this summer, Dr. Alastair Roberts will join the Theopolis Institute as an adjunct Senior Fellow, the Institute has announced. Dr. Roberts will be a regular on the Theopolis podcast, teach intensive courses and in the Fellows Program, and help develop new programs and outlets. Roberts earned his PhD from…

by TheopolisMay 2, 2018

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Art

Aesthetic enjoyment

Adorno writes that enjoyment is not the be-all of art.  Certainly it isn’t for the producers of art: “If you ask a musician if he enjoys playing his instrument, he will probably reply: ‘I hate it’ . . . People who have a genuine relation to art would rather immerse…

September 24, 2009

Soteriology in time

Soteriology is eschatology, and that means soteriology  has to have an already/not yet structure.  Rejecting either justification by faith or judgment according to works breaks the bond of eschatology and soteriology.  Another way to say this is soteriology is about what happens in time . The alternatives are: 1) Antinomian:…

September 23, 2009

God acknowledging God

Commenting on the “seal” in Song of Songs 4:12, Luther writes, “In the same way we Christians are now sealed by the Word, Baptism, and the Sacramental of the Altar, by which we are distinguished from all other races, not just before the world, but rather in God’s own judgment.”…

September 23, 2009

Film, actors and audience

In his classic essay on the “work of art in the age of mechanical reproduction,” Walter Benjamin made some trenchant observations on the way film affects actors and audiences.   Importantly, he believes these effects are not the result of some perversion of the medium of film, but inherent in…

September 23, 2009

Adam and Elohim

Paul Niskanen has an insightful analysis of Genesis 1:27 in the latest JBL .  He starts with the question of whether Barth’s view that the image of God is found in relationality and specifically in sexual difference has any exegetical support.  He reviews the current discussion, and notes that there…

September 23, 2009

Heidegger’s hermeneutics

Ouch!  Schaeffer again, this time on Heidegger’s interpretive methods: “Paraphrase, translation, dismantling of the syntax, making the text autonomous with regard to the concrete subject who utters it, absolute silence regarding the poetic form: to these five characteristics we must add hermeneutic authoritarianism,” the last of which “postulates an opposition…

September 22, 2009

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