Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Ten-thousand ‘yeses’ and a single ‘no.’ From bough it dangles, beauty to the eyes, For belly, food, a fruit to make one wise. Too soon, they eat; they know; the leaves they sew, But, oh! the Love who asks, “Where did you go?” Confessions flow from under leaf’s disguise; A…
In his masterful work, De Doctrina Christiana , Augustine of Hippo writes: I would have learned men to know that the authors of our Scriptures use all those forms of expression which grammarians call by the Greek name tropes, and use them more freely and in greater variety than people…
“In accordance with the creation pattern, God sovereignly took hold of Adam and put him to sleep. Then God divided Adam by removing flesh and bone from his side, and restructured humanity into male and female. When Adam awoke, God distributed the woman to him. Adam gazed upon her and…
Greta Gerwig’s new film, Barbie, has been criticized, probably rightly, for having too many ideas and layers to properly bring in any for a landing. Gerwig herself thought the script was so “ wild and anarchic ” that she was surprised WB agreed to make it. Many see it as…
“Now John wore a garment of camel’s hair and a leather belt around his waist, and his food was locusts and wild honey” (Matt. 3:4). Why is John the Baptizer clothed with camel’s hair? Why does he want to look like a camel? Or at least: what does he expect…
In the second greatest story ever told, The Brothers Karamazov , Fyodor Dostoyevsky tells the story of a family plagued by the lasting legacy of sin’s destructive power and the all-surpassing truth that God is Light and in Him is no darkness. The young protagonist, Alyosha, is a monk committed…
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In his lovely book of meditations on art, New York City, 9/11, American culture, Japan, and Christianity ( Refractions: A Journey of Faith, Art, and Culture ), Makoto Fujimura tells the story of Sen no Rikyu, “the sixteenth-century tea master who is most responsible for the development of the art…
Toward the end of “On Seeking God,” Nicholas of Cusa has this to say: “when an artists seeks the face of a king in a block of wood, the artists rejects everything else that is limited except the face itself.  For the artist sees in the wood, through the concept…
Mary Douglas highlighted the analogies between body and social body in her work on Levitical defilements.  Protecting the integrity and wholness of the individual body symbolized the aspirations of Israelite society for a whole and well-protected social body, without intrusions from outside or seepage from inside. At the same time,…
Mary Douglas writes in Leviticus As Literature that the word translated as “swarming” or “creeping” should instead be translated as “teeming,” with its connotations of fertility.  Israel is to avoid teeming things, Douglas argues, because Israel is to make a distinction between covenant and fertility.  Israel is not to hate…
Nazirites were separated to Yahweh’s service and devoted to His holy war.  Priests too were “separated” ( nazir , Leviticus 22:2). But Israel as a whole was a nation of devoted warriors.  That is the whole rationale for the laws of cleanliness, that the sons of Israel will be “nazired”…
Von Balthasar says that the “ethos of the theology in Bonaventure is . . . quite different from the ethos in Thomas Aquinas, whose philosophical point of view tries to reflect the order of the world as rigorously and clearly as possible.  In Bonaventure, there is something defeated from the…
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