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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Books

Interpreting "The Man Who Was Thursday"

I just finished re-reading G. K. Chesterton’s The Man Who Was Thursday . I have in the past had the temerity to say that I believe it to be the best novel of the 20th century. Be that as it may, I still maintain that it is at least one…

by Richard BledsoeJanuary 7, 2022
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Hebrews

The Universality of Mary’s Wound

And Simeon blessed them and said to Mary his mother, “Behold, this child is set for the fall and rising of many in Israel, and for a sign that is spoken against and a sword will pierce through your own soul also, that thoughts out of many hearts may be…

by Garrett SoucyJanuary 4, 2022
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Music

An Argument for Heartier Hymnals

I was inspired to write this article after reading John Ahern’s The Case for Shorter Hymnals first published on Theopolis Institute’s website on November 16, 2021. Mr. Ahern and I are writing with different audiences and emphases in mind. I am thankful we both share a mutual desire to see…

by Jarrod RicheyDecember 30, 2021
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Biblical Studies

Image of God

If you’ve spent any time in the social-media galaxy of Christian cultural commentators, you have almost definitely run across the Latin phrase Imago Dei . It means image of God . Why they usually say it in Latin, I couldn’t tell you. We saw it in the wake of the…

by Daniel HoffmanDecember 28, 2021
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Advent

He Comes to Make His Blessings Known: "Son of David" and "Son of Abraham" in Matthew 1:1

The Gospel of Matthew—indeed, the New Testament—begins with a list of names, and that list of names is introduced by this heading: “The book of the generations of Jesus Christ, the son of David, the son of Abraham.” Why start like this? Why “the son of David” and “the son…

by Josh JensenDecember 23, 2021
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Biblical Studies

On Not Needing to Cut the Baby in Half

A blade is raised. A child wails. But the brow under the crown is untroubled. Solomon knows that the raising of the sword will reveal the true parent and the identity of the son. But how did he know this? Abraham’s willingness to sacrifice Isaac certainly bears some of the…

by Jonathan WhiteDecember 21, 2021

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Expression and content

Umberto Eco ( Limits of Interpretation ) criticizes Barthes’s notion that connotation occurs when “a sign function (Expression plus Content) becomes in turn the expression of a further content.” He argues that “in order to have a connotation, that is, a second meaning of a sign, the whole underlying first…

August 14, 2008

Fat Heart

Isaiah 6:10 says that Isaiah’s ministry will make the hearts of Israel “fat” and their ears “heavy” ( kabad ). The phrasing is unique to Isaiah 6, but the combination of heavy and fat conjures up Eli, who also was going blind. Isaiah 6 is a new Samuel, and like…

August 13, 2008
History

From Creator-creature to Subject-object

MH Abrams notes that at the heart of Romanticism was a transfer of Christian concepts into a new, subjectivist, context: “Much of what distinguishes writers I call ‘Romantic’ derives from the fact that they undertook, whatever their religious creed or lack of creed, to save traditional concepts, schemes, and values…

August 13, 2008

God-like Hirsch

Frank Lentricchia argues that there is “no unmediated historical knowledge,” and adds: “That is reserved for God, or for theorists like Hirsch who believe that objective knowledge can be acquired in a massive act of dispossessing ourselves of the only route to knowledge that we have: the historicized self. What…

August 13, 2008

Sacraments and texts

Roger Lundin notes that modern interpretation often seeks an unmediated encounter with the text, and then adds: “Both Keith Thomas and Charles Taylor trace it, in part, to the Reformation’s anti-sacramental impulses, which fed into the desacralizing of nature that seventeenth-century science and commerce eagerly promoted. The process accelerated through…

August 13, 2008

Another hermeneutical parable

For centuries, piano virtuosos had thrilled audiences with audacious performances of Liszt’s seventh Etude (in G minor, “Eroica”). Liszt scholars had written analyses of the music, and critics had compared various performances to one another and to what they believed was Liszt’s original intention for the music. An industrious Liszt…

August 13, 2008

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