Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Summary In what follows, I will consider the “year-stamps” employed in Scripture, i.e., statements of the form, “Such-and-such an event took place in the Xth year of Y.” In the process, I will suggest some ways in which the Biblical narrative might relate to events in the extra-Biblical world, though…
In the first essay on the parable of the Prodigal Son, I suggested that the problems commentators and others encounter in interpreting Jesus three-part parable are not accidental. These are not just problems in our ignorance of cultural background. They are intentional features of the stories —stories designed to poke…
The story of the Prodigal Son is perhaps the most well-known story in the Bible. As others have observed, it may also be one of the most misunderstood. In two short essays, I will point out features of this story that are commonly neglected, aspects of Jesus’ parable that might…
The parable of Lazarus and the nameless rich man is not an independent story. It is part of a long context that begins in Luke 15:1, where Jesus is eating with tax collectors and sinners and the scribes and Pharisees grumble. In response to their hardheartedness, Jesus tells a three-part…
The Bible is written so that even when a reader cannot pick up on what might be deeper or more detailed aspects of a text, there is virtually always a message to be heard. In the ancient world, where the “reader” of Scripture would likely be a church official facing…
The distinction between garden (or vineyard) and field begins in Genesis 2. This relates to the ordering of the formless world. Plants of the field are contrasted with the garden planted by God in Genesis 2:5&8. Later on, under the Old Covenant the Israelites will be required to keep their…
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A pure heart is one that is not contaminated by base motives. It is a undivided heart. 50,000 of the sons of Zebulun were in David’s army, and they “could draw up in battle formation with all kinds of weapons of war and helped David with an undivided heart” (1…
Samuel Johnson says that “all appropriated terms of art should be sunk in general expressions, because poetry is to speak a general language.” Barfield disagrees: “Johnson was hopelessly wrong.” What poets do above all is express things in terms that are not general: “They express, as nearly as any word…
Barfield thinks it’s disastrous to oppose poetry and science “as two fundamentally opposite modes of experiencing Life.” Among other things, it spoils art: “For it leads straight to that Crocean conception of art as meaningless emotion - as personal emotion symbolized - which is so poisonous in its charter to…
Barfield responds to critics who charge that his attention to individual words “is a precious and dilettante kind of criticism.” He says “the reverse is the truth” and further argues that “Words whose meanings are relatively fixed and established, words which can be defined - words, that is, which are…
Guy de Maupassant says, “Les mots ont une ame . . . . Il faut trouver cette ame qui apparait au contact d’autres mots” (Words have a soul . . . . It is necessary to find this soul which appears at contact with other words). Owen Barfield, who quotes…
Hamann opposed the abstractionism of the Enlightenment partly by emphasizing the centrality of sexuality in language, experience, and thought. He called himself a “spermatologist” in the sense that he was sowing seeds and in the sense that the thought of the relation of revelation and reason in sexual terms: “our…
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