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John

Israel Redux: The Image of Christ in the Gospel According to John (Part IV)

John 18, 19: Latter Prophets and the Writings John 18 and 19 record the arrest, trial, torture, and death of Jesus as laid out in detail in Isaiah 53. After the Roman soldier pierces Jesus’ side, John quotes Zechariah: “They shall look at him whom they pierced” (Zech 12:10). In…

by Geert HeetebrijDecember 6, 2018
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John

Israel Redux: The Image of Christ in the Gospel According to John (Part III)

John 12.12 – John 17: Latter Prophets In the Hebrew Scriptures, Kings is followed by the Latter Prophets. John 12:15 quotes Zechariah 9:9 as having prophesied Jesus’ triumphal entry: “Do not be afraid, O Daughter of Zion; see, your king is coming, seated on a donkey’s colt.” [1] N.T. Wright…

by Geert HeetebrijDecember 5, 2018
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John

Israel Redux: The Image of Christ in the Gospel According to John (Part II)

John 6.16-70: Joshua The book of Joshua documents the nation of Israel entering the Promised Land. Consider the order of events: (1) Israel is still receiving the daily miracle of manna; (2) Israel miraculously crosses the Jordan on dry foot; (3) The day after Passover , Israel eats produce of…

by Geert HeetebrijNovember 29, 2018
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John

Israel Redux: The Image of Christ in the Gospel According to John (Part I)

Since my educational and professional training have revolved around story and narrative structure, I approach John’s Gospel from a literary and narrative perspective. In doing so, I have noticed structural story patterns and followed them where they seem to lead: the Gospel of John parallels the ordering of the books…

by Geert HeetebrijNovember 27, 2018
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Art

The Clouds of Mt. Sinai

The Mt. Sinai Hospital was neolithic on the black hill of Hollow, New Hampshire. Winter dampened the trees and the wind bit at the sparse branches, the sidewalks and stairs were perilous with soggy leaves, and the dim yellow light cast a pallor upon the milky stone building. Ambling inside…

by Remy WilkinsNovember 22, 2018
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Revelation

Egypt and Sodom, Where the Lord was Crucified

The Revelation can only be understood in the light of Old Testament symbols and sequences. The same is true of the epistle of Jude, which serves as a blistering hors d’oeuvre to John’s fiery feast. Possibly written by the apostle Judas Thaddaeus (Luke 6:16; Acts 1:13; John 14:22), the epistle…

by Mike BullNovember 20, 2018

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Eucharistic meditation

Matthew 15:27: She said, Yes, Lord; but even the dogs feed on the crumbs which fall from their masters’ table. We don’t belong at this table. I’m not referring here to the fact that we are all sinners who aren’t worthy to be considered our Lord’s table companions. That’s true,…

July 6, 2008

Baptismal meditation

Matthew 15:22: A Canaanite woman came out from that region, and began to cry out, saying, Have mercy on me, O Lord, Son of David; my daughter is cruelly demon-possessed. What is baptism? What is it for? Why do we baptize infants? There are many answers to that, and throughout…

July 6, 2008

Worship service

In Matthew 15:29-31, Jesus moves back from the region of Tyre and Sidon to the sea of Galilee. He goes on a mountain and sits down. He has been on mountains a number of times already to do various things. Most recently, he ascended to a mountain to pray as…

July 5, 2008

Proverbs 22:8-16

PROVERBS 22:8 Solomon uses agricultural imagery to describe realities of life. Like Paul and Jesus, he says that we reap as we sow. Our actions are always a kind of planting. We are always sowing seed that will come to fruition later on. If we sow righteousness, we will reap…

July 3, 2008

Defending the incarnation?

The iconodules staked their argument on the incarnation, but Besancon notices that after the iconoclast controversy, figures in icons became less carnal rather than more: “In the few primitive icons, which come for the most part from Egypt . . . , Christ or the saints have stocky, thick-set, vigorous,…

July 2, 2008
Art

Reverse perspective

In his history of iconoclasm ( The Forbidden Image ), Alain Besancon describes some of the artistic features of Russian iconography: “Nature is stylized in such a way that trees, rocks, and houses defy gravity. The buildings are not represented within a unified space: each floats in its own perspective.…

July 2, 2008

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