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John

Israel Redux: The Image of Christ in the Gospel According to John (Part IV)

John 18, 19: Latter Prophets and the Writings John 18 and 19 record the arrest, trial, torture, and death of Jesus as laid out in detail in Isaiah 53. After the Roman soldier pierces Jesus’ side, John quotes Zechariah: “They shall look at him whom they pierced” (Zech 12:10). In…

by Geert HeetebrijDecember 6, 2018
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John

Israel Redux: The Image of Christ in the Gospel According to John (Part III)

John 12.12 – John 17: Latter Prophets In the Hebrew Scriptures, Kings is followed by the Latter Prophets. John 12:15 quotes Zechariah 9:9 as having prophesied Jesus’ triumphal entry: “Do not be afraid, O Daughter of Zion; see, your king is coming, seated on a donkey’s colt.” [1] N.T. Wright…

by Geert HeetebrijDecember 5, 2018
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John

Israel Redux: The Image of Christ in the Gospel According to John (Part II)

John 6.16-70: Joshua The book of Joshua documents the nation of Israel entering the Promised Land. Consider the order of events: (1) Israel is still receiving the daily miracle of manna; (2) Israel miraculously crosses the Jordan on dry foot; (3) The day after Passover , Israel eats produce of…

by Geert HeetebrijNovember 29, 2018
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John

Israel Redux: The Image of Christ in the Gospel According to John (Part I)

Since my educational and professional training have revolved around story and narrative structure, I approach John’s Gospel from a literary and narrative perspective. In doing so, I have noticed structural story patterns and followed them where they seem to lead: the Gospel of John parallels the ordering of the books…

by Geert HeetebrijNovember 27, 2018
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Art

The Clouds of Mt. Sinai

The Mt. Sinai Hospital was neolithic on the black hill of Hollow, New Hampshire. Winter dampened the trees and the wind bit at the sparse branches, the sidewalks and stairs were perilous with soggy leaves, and the dim yellow light cast a pallor upon the milky stone building. Ambling inside…

by Remy WilkinsNovember 22, 2018
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Revelation

Egypt and Sodom, Where the Lord was Crucified

The Revelation can only be understood in the light of Old Testament symbols and sequences. The same is true of the epistle of Jude, which serves as a blistering hors d’oeuvre to John’s fiery feast. Possibly written by the apostle Judas Thaddaeus (Luke 6:16; Acts 1:13; John 14:22), the epistle…

by Mike BullNovember 20, 2018

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Doing Ahab

Micah condemns the people of Judah for following the ways of Omri and Ahab. We know from Kings that this is precisely what Judah has been doing. Within Micah 6, though, there is a sharp pun. Verse 16 condemns Judah for doing the works of the house of Ahab, while…

January 9, 2008

Good for Adam

Faced with the indictment from the prophet Micah, Israel asks what it can do to pacify a scarily angry Yahweh. No number of ascensions will do the trick: What Yahweh requires is justice, covenant loyalty, humility (Micah 6:6-8). The famous “Micah Mandate” is addressed to “man,” which translates adam .…

January 9, 2008

Sermon Outline, First After Epiphany

INTRODUCTION Micah continues his indictment of Israel and Israel’s leaders. But in chapter 6, he gives positive instruction. What God demands is what is good - justice, lovingkindness, and humility (v. 8). THE TEXT “Hear now what the LORD says: ‘Arise, plead your case before the mountains, and let the…

January 9, 2008
History

Modernism’s challenge

Gabriel Josipovici has a stimulating piece in the November 30 TLS arguing that the modernists pose an enduring challenge to contemporary culture, particularly the contemporary novel. Modernism, he suggests, began with the French Revolution, when it was declared that “everyone was equal now and everyone, in principle, had equal opportunities.…

January 4, 2008

Wedding Sermon

1 John 4:7-8: Beloved, let us love one another, for love is from God; and everyone who loves is born of God and knows God. The one who does not love does not know God, for God is love. Let us Pray Heavenly Father, You have eternally loved Your Son…

January 2, 2008
Art

Aesthetic Autonomy

Taruskin also gives a new summary of the artistic theory behind many of the lamentations of classical music’s collapse, which he traces from Mendelssohn through Kant to Schopenhaur and Adorno: “The main tenet of the creed is the defense of the autonomy of the human subject as manifested in art…

January 1, 2008

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