Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Christmas is a joyful season, but for many it turns into something else. Instead of joy, it is full of disappointment and unhappiness. Instead of an occasion for family fellowship, it becomes an opportunity for opening old wounds, reigniting old arguments, giving new life to rancor that should have died…
The Temple of Time The “covenant-literary matrix” of the Bible is not a pattern imposed upon the text, but the internal logic of its arrangement. This fundamental structure, functioning at multiple levels simultaneously, is a ceaseless reiteration of God’s primary theme. It is an algorithm forged in the furnace of…
In the four hundred and eightieth year after the Exodus, Solomon began to build the temple of the Lord in Jerusalem. [1] That the author of Kings should date the start of the building of the temple from the Exodus is noteworthy. In Exodus 15:17, in Moses’ song following the…
Philip Schaff, a German Reformed theologian, states in The Principle of Protestantism that the material principle of Protestantism is “the doctrine of the justification of the sinner before God by the merit of Christ alone through faith.” This is the core message of the Church which leads “to the abandonment…
“Religion” is an attempt to create or build a tower with a top, or to build a temple that is self-contained. The story of The Tower of Babel in Genesis 11 is the story of mankind’s attempt to create a world that is self-contained and does not need God. All…
In the first essay in this series, I presented a case for dating Matthew before AD 70, contrary to the present scholarly consensus. In this essay, I intend to present cultural, personal, ecclesiological, and theological arguments for a very early date for Matthew. [1] The cultural argument concerns literacy in…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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