Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
And He cried out with a loud voice, as when a lion roars; and when He had cried out, the seven thunders spoke their voices (Revelation 10:3). In Revelation 10 John sees Jesus come down to him from heaven with a little book in His hand. Jesus cries out with…
The numbers found in Genesis 5 & 11 display characteristics that indicate a complex and meticulous symbolic schematization operating at several levels. Because these numbers are so potent symbolically, unbelieving scholars have universally (as far as I know) treated them as artificial. Believers take them literally, but believers must also…
And the sixth angel poured out his bowl upon the great river, the Euphrates; and its water was dried up, that the way might be prepared for the kings from the east [sunrising]. (Revelation 16:12) The kings from the east in Revelation 16:12 are generally assumed to be enemies of…
During my brief sojourn as a pastor during the 1980s, I had several occasions to be involved in settling disputes between men in the congregation I served. A typical dispute went like this: Two men formed a company to do business. After a few years, the business went sour, and…
The two harvests of Revelation 14:14-20, of grain and of grapes, are most often understood as symbolic of God’s judgment against the wicked, or against Babylon, as amplified in chapters 16 & 17. Some commentators, however, notice that the gospels speak of the grain harvest as a reaping of the…
(Conclusion of Chapter 16 in the previous Biblical Chronology Article) Month 3, 2513 According to Leviticus 23:15-16, Pentecost was to be observed 50 days after the sabbath after Passover, or 49 days after the Feast of First Fruits. I initially based my reflections on the Jewish tradition that the Law…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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