Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Pastor John Piper has written on why he (probably) won’t be voting in this month’s presidential election. Reading his argument, I couldn’t help wondering if voting has a cultic significance to Piper. As much as self-admitted Christian Trump-voters are characterized as cult followers, Never Trump Christians often strike me as…
Seek happiness in tranquillity and avoid ambition, even if it be only the apparently innocent one of distinguishing yourself… –– Victor Frankenstein In Mary Shelley’s classic novel, Victor Frankenstein is a young intellectual with an excessive thirst for glory and worldwide acclaim. Having lost his beloved mother, Frankenstein works to…
“Our daughter is just like a baby hippo,” my wife says to me as I hang my coat up. “After we watched a video of hippos munching whole watermelons, she sat down to her own watermelon lunch. She gobbled them up with those same puffy cheeks and big eyes.” My…
Christian compromise with Nazi Germany’s political leadership is well documented in painful detail. There was resistance, but it was the exception rather than the rule. German Christianity was terribly timid. Leadership lacked spiritual strength because of serious Biblical ignorance and unbelief. But it was not just the leaders. Christians in…
Can a Christian vote for Donald Trump? That might seem like a surprising question given the widespread evangelical support for the President. Yet for a growing number of evangelicals, to vote for Trump is to endorse his moral repugnancy and further discredit gospel-believing Christians who have sold their birthright for…
Thirty-eight years is a long time to take getting somewhere (Deut. 2:14). You could just ask anyone in the unfaithful generation of people whom God brought to the edge of the Promised Land the first time under Moses—if they were still alive, that is (Num. 14:22-23, 32-35). But there are…
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Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
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