Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
“We have a God who hides things because He loves to be sought out, chewed out and found out.” As Christians, we are rightly taught that we must not question God’s Word. The problem is that the Scriptures record many things which appear to have been given to us for…
The book of Revelation is a liturgy. John begins “in the Spirit” on the “Lord’s day” (1:10). Jesus appears, and Jesus tells him to record messages to seven churches, words of encouragement and rebuke, like the call to worship and confession at the beginning of a Christian liturgy. In chapter…
In my previous posts, I looked at the theme of creation as it is found in a sequence of psalms devoted to Yahweh’s Kingship (Psalms 93-100). Among other matters, these psalms declare that when the Kingdom of Israel’s God comes, it is the Kingdom of the world’s own Creator .…
The church in Corinth was a pastoral nightmare. Factionalism, sexual immorality, incipient syncretism, using the church as a stage for self-promotion, and denial of the final resurrection were just some of the problems. In Paul’s first letter to the Corinthian church, he confronts each of these problems directly and in…
The first chapters of the Word of God have a poetic rhythm. This is used to discredit their accuracy as historical narrative, but the truth is that these same rhythms continue far beyond the book of Genesis. In fact, the later texts shed light on the frustratingly succinct account of…
Mr. Martian: What’s that there? Mr. Edison: (Edison holds up a standard, 60 watt lightbulb). It’s a lightbulb. Mr. Martian: A “lightbulb” you say? What exactly is a “lightbulb”? Mr. Edison: A lightbulb is an object used to illuminate a dark area, say a room. It’s made primarily of filament…
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T homas Nagel reviews Daniel Dennett's latest, From Bacteria to Bach and Back , in the NYRB . It's a wild ride. Reality, real reality, is the matter-in-process that science describes, Dennett argues. Dennett is famously, insanely consistent in his materialism. Nagel writes, “Bach’s or Picasso’s creative genius, and our…
C harles Rosen celebrated Chopin's birth in June 2010 with a NYRB essay on the composer. Rosen observed that until the twentieth century, Chopin was often treated as a minor figure: “Chopin’s concentration on the genres of salon music considered trivial—nocturnes, mazurkas, waltzes—placed him among the miniaturists. Critics could not…
I n his history of popular culture in early modern Europe, Peter Burke traces what he describes as the “triumph of Lent” during the 17th and 18th centuries. He refers to Brueghel’s painting, Combat of Carnival and Lent and says, “I am tempted to interpret ‘Carnival,’ who belongs to the…
W illiam Henry Green's 1890 Bibliotecha Sacra essay on “ Primeval Chronology ” has been a touchstone of evangelical biblical scholarship for over a century, its arguments regularly cited or alluded to by scholars dealing with the genealogies of Genesis 5 and 11. In response to skeptical challenges to the…
I n his recently-published Sign and Sacrifice , Rowan Williams notes the continuity between the post-Maccabean theology of martyrdom and the death of Jesus. For intertestamental Jews, as for Romans, death could be noble and triumphant. There's a radical discontinuity too. For Jews (as for Romans), martyrs triumphed because they…
H elmut Kuhn begins his 1941 article on “true tragedy” by noting the chronological proximity of Plato and Sophocles: “When Sophocles died, Plato had just come of age. So the question naturally arises whether the chronological succession is historically significant. Can we discover a line of development leading from Aeschylus…
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