Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
Many years ago, while perusing Janice Anderson’s revised doctoral dissertation, Matthew’s Narrative Web: Over, and Over, and Over again , I was impressed by her attention to literary structures of repetition within and across Matthew’s Gospel. 1 Her research, in part, nudged me closer toward my present conviction that Matthew…
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
“Like a lily among the thorns, so is my love among the maidens… My beloved is mine and I am his; he pastures among the lilies.” Song 2:2, 16 In chapter two of the Song of Solomon, the Beloved compares his Love to a lily among thorns. The language of…
Introduction From the very beginning, angels and animals have played mediating roles between God and Man. Just as the World was made three-tiered (Heaven, Earth, Deep), so the creatures were made (Angels, Men, Animals). Before Christ came to build the permanent bridge across the chasm between God and Man, various…
Matthew 13, the third major discourse of the apostle’s gospel, is comprised almost entirely of parables. While it may seem that all the parables serve the same purpose in fulfilling the prophet Isaiah (Matthew 13:14), the parables found in verses 44–52, at the very least, function outside that purpose. This…
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T he title essay of John Summerson's Heavenly Mansions sets Gothic architecture in a story of the architecture of fancy. He begins with doll houses, and moves to aedicules, originally small buildings holding the image of a god that eventually became purely decorative alcoves. In Gothic, the ornament is turned…
I n his Rise and Fall of American Growth , Robert J. Gordon argues that the growth rates for the American economy have leveled because the rate of innovation has leveled. And the rate of innovation has leveled, in part, because some innovations happen only once: The flood of inventions…
A ccording to Ingolf Dalferth ( Creatures of Possibility ), Christianity “contradicts a view that understands human beings in their fundamental dependence, finitude, and passivity, not merely biologically, but anthropologically, as deficient beings , interpreting their absolute dependence as absolute neediness, their finitude as a metaphysical evil, and their experience…
C hristian theology has long taught that we are “finite copies of the infinite Creator: created creators” (Dalferth, Creatures of Possibility , 198). Christian anthropology is eschatologically oriented: “Who we are is not determined by our origin; it will become evident in our future” (198). This comes to expression in…
I t’s a challenge to get a clear idea of what slackers are really all about. Tom Lutz isolates the dilemma in his Doing Nothing (18-19): The famous or almost-famous idlers, loafers, loungers, and slackers throughout history had to produce work about not working in order for us to know…
J oseph Ratzinger reflects on Romans 12:1-2 in his Theology of the Liturgy (349-51), which is evident in the Roman Canon's prayer that “our sacrifice may be rationabilis .” He writes: It is not enough—indeed, it is quite wrong—to translate this as saying that it should become rational. We are…
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