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American Religion

Protestantism's Lost Soul

D. G. Hart’s The Lost Soul of American Protestantism vividly clarifies the differences between evangelical and Confessional Protestantism. In part the book is a manifesto for historians of American religion. Hart argues that historians of American Protestantism have operated with a simplistic binary contrast of evangelical/conservative v. liberal/progressive. At best,…

by Peter LeithartAugust 18, 2015
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Books

The Idiot and the Limits of Compassion

Dostoyevsky’s novel, The Idiot , like his other major works, is a complex evaluation of the human condition—a juxtaposition of the innate goodness and innate evil that resides within every human heart. There is much one can say about The Idiot . I am no specialist of Russian literature, or…

by Gerald HiestandAugust 13, 2015
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Homosexuality

If There is “Natural Law” How Can People Believe in Same-Sex Marriage?

At risk of violating some secret handshake agreement on some important nuance to “natural law,” I will sum up what I understand in my own words. As far as I can tell natural law is supposed to be an area of knowledge that all people should be able to agree…

by Mark HorneAugust 11, 2015
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Biblical Studies

Cosmic Language, 2

The first installment of this article may be found here . The Image of Man This brings us to a substitutionary atonement which we do understand, the fulfilment of the cruciform Tabernacle in the cross of Christ. Although Jesus’ execution was Physical and Social, it was primarily Personal . Beginning…

by Mike BullAugust 6, 2015
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Genesis

Every Noise Appalls

The first two essays in this series drew attention to the structure of the first part of Macbeth and to the way Shakespeare incorporates the Garden of Eden into his story. Macbeth , we saw, is a temptation story in which, compared to the Biblical story, the temptation itself is…

by Ralph Allan SmithAugust 4, 2015
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Revelation

The Warrior and the City: A Wedding Homily

Revelation 19:6-9 Then I heard something like the voice of a great multitude and like the sound of many waters and like the sound of mighty peals of thunder, saying, “Hallelujah! For theLord our God, the Almighty, reigns. Let us rejoice and be glad and give the glory to Him,…

by Peter LeithartAugust 3, 2015

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Literature

Caesar’s Reviving Blood

Some of the following notes were taken from a longer introduction to Julius Caesar posted on this site some months ago. INTRODUCTION For several generations, Julius Caesar has been a staple of high school English literature, coming from a period when education was rooted in Greek and Roman classics and…

July 29, 2004
Literature

Coriolanus on Film

Paul Nickell’s 1951 Westinghouse Studio One production of Coriolanus is fast-paced, well-acted, and, making allowances for technological weaknesses, interesting and fun to watch. It is also very unlike the play that Shakespeare wrote. The play begins with plebs rioting (or milling around) in the streets of Rome, complaining about the…

July 28, 2004
Literature

Coriolanus on Stage

The stage history of Coriolanus is as interesting as the play itself. It has provoked riots and demonstrations, and has been used as a way of preventing riots and demonstrations. Here are a few excerpts from RB Parker’s excellent introduction to the play (The Oxford Shakespeare): RIGHT-WING INTERPRETATIONS ?In reaction…

July 28, 2004

Sermon Outline, August 1

Glory and Song, 2 Chronicles 5:1-14 INTRODUCTION As we close out this brief series on worship, we will be looking at two separate but related issues: the glorification of worship, and music in worship. These are related in several ways: Music is itself a means of enhancing or glorifying worship;…

July 28, 2004
Literature

Double Rome

INTRODUCTION For Elizabethans, Rome was not only an ancient power but a very real contemporary power. The plays of Shakespeare that are set in Rome and those derived from Roman models often work in both registers, bringing papal Rome into plays set in ancient times. I will look at some…

July 28, 2004
Literature

Caesar

I wonder: If we take Shakespeare’s Julius Caesar as a play about both ancient and Papal Rome, then the point seems to be that ecclesiastical imperialism is unavoidable, that it will take its vengeance and return in more virulent forms. The “puritans” like Cassius attempt to cut the head off…

July 28, 2004

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