Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
If 1 Chronicles were a movie, it would begin with two hours and forty-five minutes of credits: Name after name scrolling across the screen, most of them (as far as we’re concerned) obscurities and nonentities and unknowns, forgotten fathers and sons and mighty men; all the bit players in the…
Let me locate myself. I’m sitting on a sand dune, three hundred feet above the blue-as-a-swimmer-crab water of Lake Michigan. I’m so high above the surface that the sound of the waves flopping onto the beach is as quiet as wind easing through a screen door. Around me are several…
My title is too grand. What I offer here falls far short of a full description of poetry. I barely offer a definition. A more accurate title would be “Axioms and Suspicions About Poetry.” Axioms first. I have three of them. The first is the closest I can come to…
In his book In Defense of Food Michael Pollan does just what the title suggests, he defends food. Pollan argues that the presupposition behind modern food science, or “nutritionism” as he calls it, is that humans don’t need food, they need nutrients. To be sure, modern science is not yet…
The early church took possession of the Roman Empire within a few centuries, largely because she ministered sacrificially in word and deed. The church provided services and care that the empire and pagan religions could not in times of crisis. The faithful witness of those serving Christians bore great fruit…
My title, “The Original Murder” will be understood by many readers, if not almost all, to refer to Cain’s murder of Abel, but I have in mind the very first murder, the one which Jesus pointed to when He said that Satan was a murderer “from the beginning.” “You are…
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B orn to Run is an anthem of escape, seemingly an exodus from the confinements of small-town America: “H-Oh, Baby this town rips the bones from your back / It’s a death trap, it’s a suicide rap / We gotta get out while we’re young / ‘Cause tramps like us,…
T errence Rafferty calls filmmaker Guillermo del Toro the “Master of Highbrow Horror” ( The Atlantic ). He traces del Toro’s aesthetic to a childlike mix of fear and fascination: “Toro’s work isn’t simply the something’s-out-to-get-you feeling of conventional scare pictures. It’s fear mixed with fascination, a childlike wonder at…
I n an essay on the notion of “cosmopolitanism,” Wayne Cristaudo presents Franz Rosenzweig and Eugen Rosenstock-Huessy as thinkers who propose an un philosophical cosmopolitanism. That un- is critical, Crustaudo thinks, to a genuine recognition of and reckoning with difference: Both Rosenzweig and Rosenstock oppose “the more typical philosophical approach…
J anet Adelman ( Blood Relations ) devotes an interesting chapter to analyzing Lancelot’s departure from Shylock’s house, and his strange reunion with his father Gobbo, in Merchant of Venice . Lancelot has been Shylock’s servant, but he has had enough and, like Shylock’s daughter Jessica, he leaves for the…
I n his provocative essay on Gender , Ivan Illich describes a shift from “vernacular gender” to “social sex.” By the former, he meant “a distinction in behavior, a distinction universal in vernacular cultures. It distinguishes places, times, tools, tasks, forms of speech, gestures, and perceptions that are associated with…
Ivan Illich ( Gender ) points to the differences between the activities of a modern housewife and those of her grandmother. They are practically and economically quite distinct. “When a modern housewife goes to the market, picks up the eggs, drives them home in her car, takes the elevator to…
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