Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Ten-thousand ‘yeses’ and a single ‘no.’ From bough it dangles, beauty to the eyes, For belly, food, a fruit to make one wise. Too soon, they eat; they know; the leaves they sew, But, oh! the Love who asks, “Where did you go?” Confessions flow from under leaf’s disguise; A…
In his masterful work, De Doctrina Christiana , Augustine of Hippo writes: I would have learned men to know that the authors of our Scriptures use all those forms of expression which grammarians call by the Greek name tropes, and use them more freely and in greater variety than people…
“In accordance with the creation pattern, God sovereignly took hold of Adam and put him to sleep. Then God divided Adam by removing flesh and bone from his side, and restructured humanity into male and female. When Adam awoke, God distributed the woman to him. Adam gazed upon her and…
Greta Gerwig’s new film, Barbie, has been criticized, probably rightly, for having too many ideas and layers to properly bring in any for a landing. Gerwig herself thought the script was so “ wild and anarchic ” that she was surprised WB agreed to make it. Many see it as…
“Now John wore a garment of camel’s hair and a leather belt around his waist, and his food was locusts and wild honey” (Matt. 3:4). Why is John the Baptizer clothed with camel’s hair? Why does he want to look like a camel? Or at least: what does he expect…
In the second greatest story ever told, The Brothers Karamazov , Fyodor Dostoyevsky tells the story of a family plagued by the lasting legacy of sin’s destructive power and the all-surpassing truth that God is Light and in Him is no darkness. The young protagonist, Alyosha, is a monk committed…
Showing page 29 of 309
Showing page 3 of 43
Charon Ross offers a brilliant analysis of rock concerts as ecstatic experiences ( Gifts Glittering and Poisoned , 132-4). The concert is a carefully orchestrated symbolic constellation “designed to enable the spectator to have experiences of ecstasy so wonderful and powerful that they are difficult to capture with words. Euphoria…
What Do Pictures Want? seems an odd title for a book on picture theory. WJT Mitchell intends his title to highlight the “double consciousness” that we have toward images. “why is it that people have such strange attitudes toward images, objects, and media? Why do they behave as if pictures…
Detached from the Eucharistic liturgy, preaching is at sea. Preachers announce the gospel and call our people to faith. We also want to give them something to do. There are dangers on both sides: We may so much emphasize the grace of God that we provide sophisticated excuses for passivity…
A year ago, Sarah Ditum wrote a piece for The New Statesman that compared abortion with organ donation, pointing out that the demands on a pregnant woman's body are far greater than the demands laid on organ donors: “giving away a bagful of gore or a chunk of liver that…
According to Fintan O'Toole's NYRB review , James Shapiro's The Year of Lear helps to unravel some of the mysteries of that most haunting of Shakespeare's tragedies. O'Toole nicely captures why the play is so haunting: “King Lear is not apocalyptic, it is far worse. Instead of deserved damnation and…
Geert Buelens's Everything To Nothing offers a European-wide review of the poets writing before and during World War I. It is a tour de force , recalling forgotten poets to vivid life and setting better-known poets in a new European context. The poets, he argues, were not only observers but…
Showing page 354 of 2212
Your weekly digest for all things Theopolis.
