Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
This is the second of a three-part study of Genesis 1. 1:3-5 – Light In God’s final actions of the first day, that He addresses the problem of darkness. In evaluating God’s giving of light, we should evaluate the order of events of His creative activity on the first day.…
“In the beginning God created…” With these words, God begins His self-revelation. We first catch God in the act of creation, and in so doing are ourselves caught up into the dramatic exposition of the Divine Life. To witness the Theo-Drama of the Creator is not an entry into the…
In order for Exodus 23:19b (“you shall not boil a kid in his mother’s milk”) to be interpreted properly it must be situated in its biblical context, which necessitates a proper understanding of Exodus 24:1-11. It is the primary contention of this paper that it is only through the lens…
Trinity House President Peter Leithart will deliver a paper on "Constantine the Pious" this week at an international symposium sponsored by the Universitatea Babes-Bolyai in Cluj-Napoca , Romania.
Through the prophet Isaiah, Yahweh threatens to send Assyria to Judah and Israel. He will swing Assyria as an ax to lop down the proud trees of Judah (10:33-34). He is going to lop off the branches of the trees, and cut down the tall trees. Trees are people, and…
Peter Leithart, President of Trinity House, will deliver a lecture a a conference on "Constantine: Religious Faith and Imperial Policy," which will be held October 4-5 at Richard Stockton College of New Jersey. The conference is co-sponsored by the Interdisciplinary Center of Hellenic Studies at Richard Stockton and the Orthodox…
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James Jordan has suggested that the vision of new Jerusalem (Revelation 21:9-22:5) is arranged as a chiastic recasting of the creation week: A. Day 1: Light in the city, 21:10-11 B. Day 2: Boundaries and measurements of the city, 21:12-17 C. Day 3: Materials of the city, 21:18-21 D. Day…
The verb “show” ( deiknuo ) occurs eight times in Revelation, and the eight uses fall into a neat pattern. Twice at the beginning (1:1; 4:1) and twice at the end (22:6, 8), the verb is used with a generic object. God shows “things which must shortly take place” (1:1;…
In an essay on “barriers and bridges” in American religion, Stephen Warner emphasizes the role of music in building bridges, forging solidarity without requiring assent to a common set of propositions. He offers a florilegium of quotations from various scholars: “At an emotional level, there is something ‘deeper' about hearing…
William H. McNeill's Keeping Together in Time explores the role of “emotional bonding through rhythmic muscular movement” in history (52). The significance of the phenomenon occurred to him during military training in 1941: “A sense of pervasive movement in unison is what I recall; more specifically, strange sense of personal…
The final chapter of the Bible (Revelation 22:6-21) is a rapid series of speeches and dialogues, structured in fourfold parallelism. Each new section introduces a new speaker or speech with some form of “he said.” The speakers move from an angel to Jesus to the Spirit and bride. The chapter…
In a 2007 Bibliotheca Sacra article, Mark Hitchcock examines various theories about the identity of the seven heads of the beast in Revelation 17:9-11. It's been proposed that the number seven is purely symbolic of fulness, and that the heads are not to be identified with any historical characters. Hitchcock's…
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