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Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Children

Honor God With Your Body

I am making a new rule in our house! We are actually kind of skimpy on the house rules. I try very hard to keep things simple: love God, love others, be joyful. It’s not complicated to avoid discipline here. But I have found myself repeating this new rule over…

by Lindsey TollefsonApril 9, 2015
giotto-noli-me-3
John

The Gardener and the Beloved, (Part 3)

Click HERE for Part 2 The voice of Jesus transforms and changes Mary when she hears him speak her name. This is her last “turning.” So also the woman in the Song of Songs longs to hear the voice of her beloved. Let me see your face, let me hear…

by Jeff MeyersApril 6, 2015
giotto-noli-me-2
John

The Gardener and the Beloved, (Part 2)

Click HERE for Part 1. The details of this story call the attentive reader back to the drama of Solomon’s Song of Songs. And the Song of Song’s alludes to, ties us into the story of Adam and Eve in the Garden and the promise of a coming Messiah that…

by Jeff MeyersApril 4, 2015
easter-term-2015-2
Theopolis News

Easter Term, 2015

“The course was a paradigm shift for me,” said Jonathan Sedlak, a Milwaukee electrical contractor who attended Theopolis’s course on Revelation. “I am left with a book that is far more practical than it has ever seemed before.” Jonathan Anderson of Louisville, Kentucky found the course “refreshing.” “I finished with…

by TheopolisApril 2, 2015
psalm-singing
Genesis

Worship as Response: Liturgical Logic, (Part 1)

“It is only by participation in a rational, practice-based community that one becomes rational.” – Alasdair MacIntyre It may be perfectly clear to a chef why adding unsifted powdered sugar to a hot frosting is a bad idea. But for an amateur cook, this may be the kind of rule…

by Jonathan BarlowApril 2, 2015
giotto-noli-me
John

The Gardener and the Beloved, (Part 1)

On a fresco in a chapel in Padua, Italy, there is a famous painting depicting the dramatic post-resurrection scene in John 20 with Mary and Jesus outside of the garden tomb. Giotto di Bondone painted it in the early 14th century. Jesus is striding from the tomb with a victor’s…

by Jeff MeyersApril 1, 2015

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Yahweh the Teacher

Genesis 1 presents a macro-creation, Genesis 2 a micro-creation. The latter follows the former, for humanity is micro-cosmic. The Spirit hovers over waters, and water arises to water the ground. God speaks light into existence, and by the same breath He makes Adam a living soul. Day 1. Yahweh forms…

April 8, 2015
Liturgy

Omnivorous Liturgy

We stand, we kneel, we sit, we stand, we kneel. The postures of liturgy write “upon the bodies of those who perform it frequently a habit of acting as an unworthy recipient of a prevenient gift” (Paul Griffiths, Decreation , 232). By developing the habits that the liturgy impresses on…

April 7, 2015

The Primacy of Pattern

“When we do science,” writes William Dembski in his Being As Communion (85), “we don't encounter matter in its raw state nor do we encounter sensory experiences in their raw state. Rather, we encounter certain patterns to the exclusion of others. In other words, we encounter information. The material and…

April 7, 2015

World-Making Word

The Creator God is a speaker, who speaks to form the formless, dark, and empty void into the structured and glorious cosmos. As images of the world-making God who speaks, we also make worlds with words. Genesis 1 provides a paradigm, an allegory of world-making words. In the darkness, words…

April 7, 2015

When Stars Fall

NT Wright has insisted over the years that the apocalyptic language of the gospels (Matthew 24; Mark 13; Luke 21) doesn't refer to the end of the space-time universe but to the end of a socio-political order. Edward Adams dissents in his 2007 The Stars Will Fall From Heaven .…

April 6, 2015

More Than Anxiety

Laura Pelaschiar's forthcoming Joyce/Shakespeare collects essays that explore the various facts of Joyce's use, misuse, criticism, and combat with Shakespeare. She observes that “Shakespeare’s existence in Joyce is tentacular and functions on many different levels: cultural, structural, political, thematic, contrapuntal, imitational, quotational/misquotational, stylistic, lexical, psychological, or psycholiterary.” Joyce's reception of…

April 6, 2015

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