Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
“What’s the fastest route” he asks me as we quickly come to a stop behind a sea of red brake lights. I pull out my phone and map all the options. Every way is red with traffic backed up. Deep down I must be a small town girl because traffic…
Dear Friend of Theopolis, I have signed a stack of documents in the years since we started Theopolis, but my heart jumped a few beats as I looked at the thick lease contract. “This is real,” I thought. “This makes it really real.” Theopolis has been real for nearly three…
In the Edenic world of Perelandra, from C.S. Lewis’s Space Trilogy, Ransom notices something about how the Green Lady treats the animals: [1] “There was in her face an authority, in her caresses a condescension, [2] which by taking seriously the inferiority of her adorers made them somehow less inferior…
In my previous two articles, I argued for the significance of the fact that baptism addresses our bodies in their objectivity. In the body, the self has an existence that runs deeper than our consciousness, decision, self-expression, and action. In washing our passive bodies, baptism seals us with an anticipatory…
Judah is a sinful nation, weighed down with iniquity. They are not the seed of Abraham, but the seed of iniquity. Their worship is abominable to Yahweh, because their hands are covered with innocent blood. They have not done good, or sought justice, or reproved the ruthless, or defended the…
Although we tend to define ourselves by our subjectivity —our perceptions, thoughts, feelings, decisions, actions—we are frequently forgetful of the objectivity of the self as body, the reality of the self that underlies and precedes all of our subjectivity. The body is the site of our ‘givenness’, where we are…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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