Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
For Part 1, click HERE . How did Paul’s earliest commentators view his juxtaposition of music and drunkenness, and did they connect it to the ancient Greek ideas of musical ethos described in Part I? Origen, one of the earliest commentators on Paul, writes about Ephesians 5:18-19: One, however, who…
Perhaps it is because I am a musician that I have always found Ephesians 5:18-19 so arbitrary. But isn’t it a little odd to contrast music and drunkenness? Perhaps it is not obvious that that is what Paul is doing; I know, for myself, that it is remarkably easy to…
In 1 Corinthians 7:12-16 Paul deals with how the Corinthian Christians are supposed to be relating to unbelieving spouses. He essentially tells them, “Look, if your unbelieving spouse is willing to stay with you as a faithful Christian, don’t initiate a divorce. If he/she wants to leave you, let him/her…
For Part 1, click HERE . Those who focus on the supposed “pacifism” of Jesus and condemn the violence of God’s judgments throughout the Old Testament overlook the ministry of sacrificial bloodshed as an alternative to human bloodshed. The sword bearing of the sacrificial system was introduced to avoid the…
How should a Christian respond to the objection that the Bible, like the Koran, is a book of violence and bloodshed? Numerous answers have been offered by well-meaning exegetes, but none of them gets to the heart of the matter: God desires to place a sword in the hands of…
Beginning this summer, Dr. Alastair Roberts will join the Theopolis Institute as an adjunct Senior Fellow, the Institute has announced. Dr. Roberts will be a regular on the Theopolis podcast, teach intensive courses and in the Fellows Program, and help develop new programs and outlets. Roberts earned his PhD from…
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Jonathan Ree’s delightful I See A Voice glances at Enlightenment-era efforts to work out analogies between color and musical harmonies. Newton’s Optics was key. He argued that “just as all different tones can be located on a single scale running from the highest to the lowest pitch of audible sound,…
We don’t hear sounds, Heidegger said. That’s an abstraction. What we hear are things making sounds - “the creaking wagon, or the motor cycle . . . the column on the mark, the north wind, the woodpecker tapping, the fire crackling” (quoted in Jonathan Ree, I See A Voice ,…
Voice has often been seen as expression, as the coming into public space of something within. Given its reliance on breath, it was easy to conclude that voice is the expression of the soul. According to Ree ( I See A Voice ), it was Herder who broke through this…
Diane Thompson concludes her essay in Dostoevsky and the Christian Tradition with this superb description of the place of God’s Word in the words of Dostoevsky’s novels, and his characters: “Dostoevsky’s feeling for the dynamic aspect of the Logos was exceptionally strong, as was his gift for making it a…
Consciousness enters the world and the stones remain stones and the sun the sun. Still existence becomes completely different when consciousness arises, Bakhtin argues in Speech Genres . This happens become the coming of consciousness is the coming of “the witness and the judge” (137). “A stone is still stony…
Nabokov didn’t much like Dostoevsky. What interests him in literature is “enduring art and individual genius,” and from this viewpoint Dostoevsky is mediocre: “with flashes of excellent humor, but, alas, with wastelands of literary platitudes in between” ( Lectures on Russian Literature , 68). His characters are mentally unbalanced, his…
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