Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Theophanic revelation is historically progressive, or eschatological, in character. First of all, in Genesis 1:2, the Spirit appeared inside the creation, sent by the Father. After the creation of man, the Spirit worked and works with humanity to bring us to maturity, from Daughter to Bride to fruitful Mother. He…
On the eighth day of the rite of "filling the hand," Aaron began his service at the altar. His first offering was a "calf" (Heb. `egel ), which served as a purification offering for himself and (apparently) his household (Leviticus 9:2, 8). This is striking for a couple of reasons.…
One of the distinctive items of the high priest’s clothing was the "golden plate" inscribed with the words "Holy to Yahweh" (Exodus 28:36-38). The word translated as "plate" is tsits , which literally means "flower." The verbal and noun forms are both used in Numbers 17:8, which describes Aaron’s rod…
The square, rectangle, and cross shapes appear all over the sanctuaries God reveals in the Bible: Tabernacle, Solomon’s Temple, Ezekiel’s Temple, New Jerusalem. One thing that can be said right away about these designs, and the occasional perfect circle (the lavers), is that they do not occur in nature. They…
"For just as Jonah was three days and three nights in the belly of the sea-monster, so will the Son of Man be three days and three nights in the heart of the earth" (Matthew 12:40). Some reflections on Jonah’s Big Fish have led to the following essay. Let me…
Citing Melchizedek in Genesis 14:18-20, James Jordan has written that "the name of God in use among the nations was God Most High’" (Hebrew, `el `elyon ; in Through New Eyes , p. 176). In addition to Melchizedek, one could cite the example of Balaam, who invokes the Lord both…
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“R emember His wonders which He does,” the Levites sing when the ark is brought to Jerusalem (1 Chronicles 16:12a), doubtless referring preeminently to the wonders of the exodus but more distantly to the wonder of doing/making creation. At creation and in the exodus, God's wonders are the wonders of…
T oward the end of the rambunctious Paris Review interview , sometimes a meta-interview about the process of interviewing, Mark Helprin answers the question, Why do you write? As always, he answers circuitously, by contrasting creativity in pre- and modern art: . . . in a secular world, each artist…
I n a NYRB review of Anthony Gottlieb’s Dream of Enlightenment , Thomas Nagel corrects Gottlieb’s account of Hobbes’s moral philosophy. He lucidly summarizes Hobbes’s moral argument for absolutism: Hobbes’s theory, and what led to his being attacked as a moral nihilist, was his refusal to appeal to any concern…
I n his poignant, deeply personal New York essay on his distraction addiction, Andrew Sullivan reflects on the silence of sacred places: “From the moment I entered a church in my childhood, I understood that this place was different because it was so quiet. The Mass itself was full of…
M axwell Anderson’s forthcoming Antiquities surveys the world of antiquities, summarizing law, history of collection, the difference between the interests of archeologists and antiquities dealers, forgeries and their detection, the market in antiquities. Everything you’d want to know. Anderson places the rise of interest in antiquities in the context of…
S tuart Banner attempts to draw the fine line between investment and gambling in his forthcoming Speculation . Among other things, his book is a history of America’s double-mindedness about speculative investing. Visitors to the early US regularly made comments like this from German journalist Francis Grund: “An American merchant…
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