Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
I live in an area where Mardi Gras is in full swing, and I can remember from my upbringing that Fat Tuesday was a last ditch effort at debauchery before the pseudo-spiritual practice of “giving something up for Lent” really began. In my youth I would give up some kind…
Part 1: Observations from the Texts (Matthew 9:14-17, Mark 2:18-22, Luke 5:33-39) The precipitating context for the new wine/old wineskins discussion is people asking Jesus why His disciples did not fast. His immediate answer is that you can’t get the friends of the groom to fast at the bachelor party…
Simply, “progress” means to move forward. In that sense, a slug can progress from one end of the sidewalk to the other. But for us in twenty-first century America, progress means something else. For us, it is almost a synonym for goodness. The slug can only “progress” if the other…
I have the privilege of being able to counsel a lot of women who are seeking abortions. I can tell you that the majority of them are seeking to end their pregnancies not because they feel like it would be a fun thing to do, but because they are scared…
Last night, along with a few online friends, I watched this debate on the meaning of life between William Lane Craig, Rebecca Goldstein, and Jordan Peterson, hosted by Wycliffe College. While watching it, and reflecting upon Peterson’s work more generally (about which I’ve written in the past ), I was…
I’m glad to have been invited to contribute regularly to the Theopolis Institute website. Thank you, readers, for welcoming and joining what I hope will be a venture of integration. Integration itself is what I want to explore. And for me personally, this is the shape of my current integrative…
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K risten Thompson devotes several pages of her Apocalyptic Dread , a study of apocalyptic in contemporary film, analyzing Spielberg's 2005 remake of War of the Worlds . She points to the “film’s extensive references to 9/11 and terrorism as the new marker of dread in the twenty-first century.” She…
F elecia Wright McDuffie's To Our Bodies Turn We Then is a study of Donne's understanding of the body as “word and sacrament.” Drawing from Donne's poetry, sermons, and prose writing, she summarizes Donne's view of the human body as created, fallen, redeemed, and recreated. All along the way, McDuffie…
P utting “film noir ” and “musical” in the same sentence may seem absurd. If any film genre is sunlight and sentiment, seething with clappy optimism, it's the musical. And noir is something different. Sheri Biesen's Music in the Shadows shows that the two forms have cohabited for decades: “The…
W ho teaches your U.S.A. children how to choose their temple? What to love enough not to think two times?” These questions are posed in the broken English of Remy Maranthe, one of the Wheelchair Assassins who populate David Foster Wallace’s Infinite Jest . After Canada is forced into the…
C J Labuschagne points out in his Numerical Secrets of the Bible that “Exod 39:32–43 tells how the Tabernacle with all its equipment was presented to Moses, who inspected all the work and saw that the craftsmen had done their work according to the command of the Lord, and he…
C J Labuschagne ( Numerical Secrets of the Bible ) highlights the use of 11-fold literary patterns in the Pentateuch. The creation account, for instance, uses the formula “and God said” eleven times, concluding with the creation of Eve: “This coherence is found also in the eleventh divine utterance in…
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