Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
John 18, 19: Latter Prophets and the Writings John 18 and 19 record the arrest, trial, torture, and death of Jesus as laid out in detail in Isaiah 53. After the Roman soldier pierces Jesus’ side, John quotes Zechariah: “They shall look at him whom they pierced” (Zech 12:10). In…
John 12.12 – John 17: Latter Prophets In the Hebrew Scriptures, Kings is followed by the Latter Prophets. John 12:15 quotes Zechariah 9:9 as having prophesied Jesus’ triumphal entry: “Do not be afraid, O Daughter of Zion; see, your king is coming, seated on a donkey’s colt.” [1] N.T. Wright…
John 6.16-70: Joshua The book of Joshua documents the nation of Israel entering the Promised Land. Consider the order of events: (1) Israel is still receiving the daily miracle of manna; (2) Israel miraculously crosses the Jordan on dry foot; (3) The day after Passover , Israel eats produce of…
Since my educational and professional training have revolved around story and narrative structure, I approach John’s Gospel from a literary and narrative perspective. In doing so, I have noticed structural story patterns and followed them where they seem to lead: the Gospel of John parallels the ordering of the books…
The Mt. Sinai Hospital was neolithic on the black hill of Hollow, New Hampshire. Winter dampened the trees and the wind bit at the sparse branches, the sidewalks and stairs were perilous with soggy leaves, and the dim yellow light cast a pallor upon the milky stone building. Ambling inside…
The Revelation can only be understood in the light of Old Testament symbols and sequences. The same is true of the epistle of Jude, which serves as a blistering hors d’oeuvre to John’s fiery feast. Possibly written by the apostle Judas Thaddaeus (Luke 6:16; Acts 1:13; John 14:22), the epistle…
Showing page 84 of 309
Showing page 30 of 43
Prior to the 18th century, writes Mark Evan Bonds, instrumental music was considered inferior to music that accompanied words ( Wordless Rhetoric ). According to the artistic theory developed by Johann Georg Sulzer, “instrumental music . . . can be pleasing and at times moving, but its ‘meaning' is relatively…
Paul's speech on the Areopagus is the second of three programmatic speeches in Acts. Robert Tannehill notes ( The Narrative Unity of Luke-Acts ) that they trace the progression of Paul's mission: “Careful planning is indicated by the fact that we have three different types of speeches addressed to three…
In his now-classic Sources of the Self (143-4), Charles Taylor observes that Descartes is “in many ways profoundly Augustinian: the emphasis on radical reflexivity, the importance of the cogito, the central role of a proof of God's existence which starts from ‘within,' from features of my own ideas, instead of…
Mark Evan Bonds's Absolute Music is a study of 19th-century debates concerning the purity or absoluteness of music, the question of the possibility and/or propriety of segregating music from the rest of the world, music as a sheer aesthetic experience, an experience of pure beauty or simple form. It's a…
Robert Tannehill points out in the second volume of his Narrative Unity of Luke-Acts that Acts 16-19 depicts a recurring “public accusation type-scene.” Prior to chapter 16, the public accusations against Paul and his associates are not highlighted. After chapter 16, they are. “In 16:20-21 Romans accuse the mission of…
Matthew B. Crawford argues in The World Beyond Your Head that things discipline our attention and thus make genuine knowledge of the world possible: “ things that can serve as a kind of authority for us, by way of structuring our attention. The design of things—for example, cars and children’s…
Showing page 302 of 2212
Your weekly digest for all things Theopolis.
