Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
The chronology of the Kings of Judah and Israel can be divided into three periods with clearly defined boundaries. The first period begins with the death of Solomon and the accessions of Rehoboam in the south (Judah) and Jeroboam in the north (Israel). It ends with the deaths of Ahaziah…
Most modern people regard the arts as essentially decorative. They are hardly very important, as compared to business, politics, or religion. Yet, from a Biblical point of view, the arts lie close to the heart of human life. The universe that God created is itself an artistic masterpiece by the…
Before we move into a detailed survey of the history and chronology of the kings of Israel and Judah, let us review the chronological information that leads from creation to the kingdom. This will be helpful both to new readers of these essays, and a reminder for those who have…
We have completed our overall survey of Biblical chronology, and now turn to a detailed examination of the Biblical information regarding the chronology of Israel’s kings. The first piece of chronological information we have regarding Israel’s kings is very cryptic, and it serves as an guide to the interpretation of…
Jonathan Z. Smith, To Take Place: Toward Theory in Ritual (Chicago: University of Chicago Press, 1987). Reviewed by Peter J. Leithart. The philosophes of the 18th century often attacked Christendom using the tools of anthropology and comparative religion. Rousseau contrasted the idyllic equality of primitive, natural peoples with the bondage…
Valerie I. J. Flint, The Rise of Magic in Early Medieval Europe (Princeton University Press, 1991). Reviewed by Peter J. Leithart. Valerie I. J. Flint, Professor of History at the University of Auckland, New Zealand, is refreshingly candid about her reasons for undertaking a study of The Rise of Magic…
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According to Michael Nerlich ( Ideology of Adventure ), “all figures of the Greek and Latin novels of adventure are ‘involuntary’ adventurers.” Mikhail Bakhtin too ( Dialogic Imagination ) emphasizes that in earlier adventures “an individual can be nothing other than completely passive, completely unchanging” and function as “merely the…
Winder McConnell ( Nibelungenleid , 98-99) sketches the changing uses of the epic in the mid-20 th century: “During the Weimar Republic, the themes and motifs of the Nibelungenlied had been employed by authors of antirepublican persuasion to express optimism for Germany’s future, but poets and dramatists sympathetic to the…
In an essay in A Companion to Gottfried of Strassburg's Tristan , Ulrich Muller argues that “In Tristan und Isolde Wagner radically transformed the meaning and message of Gottfried’s romance, just as he had in Parsifal. As cast by Gottfried (and in all medieval versions), the lovers and their love…
Andreas Capellanus literally wrote the book on the Art of Courtly Love , but the concluding Book 3 suggests that the book was a cautionary tale throughout. Capellanus closes the treatise with an exhortation to Walter, the man to whom the book is addressed to abstain from the desires of…
Even today, when historians have abandoned the idea, many regard the Middle Ages as a time dark and ignorant, the huddled masses in shadows until the burst of light that came with the Renaissance and then the Enlightenment. For centuries, it is often thought, medieval thinkers knew little of the…
Allegorization was one of the techniques medieval used, adapted from ancient writers, to incorporate pagan writing in a biblical framework. As Ernst Curtius ( European Literature and the Latin Middle Ages ) writes, “the Middle Ages subjected profane writers to allegorical interpretation exactly as it did the Bible, and .…
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