Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
What is below is fairly self-explanatory. This is an exchange I had with a local liberal clergyman on the subject of abortion. The circumstances of the debate are included in the text itself. I initially e-mailed this out to a list of clergy in our city after a local (and…
The seemingly humdrum parts of the Bible often hide overlooked wisdom. Take, for example, the books of Ezra and Nehemiah. Their stories aren't exactly the most gripping or memorable. They are far less concrete than, say, the story of the Exodus. No one in Ezra is stricken blind or devoured…
For most of the past century, philosophical perspectives on life in the western world have been overtly grim and pessimistic. The optimism of the Enlightenment, generated by confidence in the scientific method and the potential of an increasingly civilized humanity to redress the evils of the world, was shattered by…
Chiastic structures are found all over the Bible, and in recent decades commentators have become more adept at spotting them. But identifying these literary structures is only part of the challenge. There remains the challenge of understanding what they mean. Part of the answer is found in the recognition that…
Part 1 can be found HERE . Clearly, more than just getting worship right is important in changing the world, but since worship is the central act of God’s people, performed on the first day of the week at the center of the world before the very face of God,…
“Blessed is the womb that bore you, and the breasts at which you nursed.” ( Luke 11:27 ) Arguing for Christian morality in a secular society is difficult. A culture which accepts evolutionary dogma has no intellectual place — or inherent desire — for absolute morality, since it believes morality…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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