Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Brian: This is, I guess, the ultimate news flash. Maybe the last one. Just a couple of minutes ago a lot of people ascended up into the air and met the returning Jesus Christ. At least that seems to be what happened. As you can see, our cameras are on…
Lest we forget at least an over-the-shoulder acknowledgment to the very first radical: from all our legends, mythology, and history (and who knows where mythology leaves off and history begins–or which id which), the first radical known to man who rebelled against the establishment and did it so effectively that…
One of the mysteries in Esther is why Mordecai refused to acknowledge Haman. We are never explicitly told, and such guesses as that he was continuing Yahweh’s war against Amalek do not carry weight. If such was Mordecai’s purpose he was in sin, because it was Yahweh’s war, not his.…
Below are two views of marriage that came out of an e-mail exchange. The first is a kind of of phenomenology of marriage, and of behavior within marriage. It is who we are by nature. It is bad news, very bad news. The second entry is what can be done…
The previous essay on “Monocovenantalism” brought up this matter, so a few comments here. In this area also the mindless militants have perverted the conversation. The notion that the death of Jesus was insufficient for our justification and that we must also have an imputation of His perfect life in…
Repeatedly over the last several years a variety of characters have accused the so-called “Federal Vision” of being “monocovenantal.” Many other wild and unsubstantiated accusations against the “Federal Vision” have been made, of course. Recently I learned that two of the men on the Orthodox Presbyterian Church’s study committee on…
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Ruskin's concept of "typical beauty" is a piece of theological aesthetics. In the second volume of Modern Painters , Ruskin distinguished kinds of beauty, the typical and the vital. Of the first, he says: "that external quality of bodies already so often spoken of, and which, whether it occur in…
In the third volume of Modern Painters , Ruskin addresses the "German dulness, and English affectation" that has "multiplied among us the use of two of the most objectionable words that were ever coined by the troublesomeness of metaphysicians,—namely, 'Objective,' and 'Subjective.'" The words are "exquisitely . . . useless"…
George Landow argues ( Victorian Types, Victorian Shadows ) that the poetry of Gerald Manley Hopkins would look less bizarre, though no less innovative, if we placed Hopkins more firmly in the poetics of his time. Which is to say, placed him in the context of a typological poetics. Hopkins's…
Architecture, Ruskin claims ( Seven Lamps of Architecture ), isn’t the same as building. Architecture refers to the specifically artistic features of a building, and the specifically artistic features have to do with adornment and not function: “Architecture concerns itself only with those characters of an edifice which are above…
John Ruskin was the main art critic of his time; he was an artists himself, and also wrote on a variety of other topics, especially on the state of English politics and economy. He abandoned explicit attachment to Evangelical Christianity but remained deeply indebted. He provides an excellent example of…
Typological forms of thought weren't confined to sermons and commentaries, but made their way into 19 th -century English poetry. -Some poets put typology to orthodox uses, though here we can see divergent deployments of a similar typology. Elizabeth Barrett Browning wrote a poem, Casa Guidi Windows (1851) about the…
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