Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Understanding Shakespeare’s Biblical references is vital for the interpretation of many, if not all, of Shakespeare’s plays. For Othello , it is especially important, not only because the interpretation of the play is contested among various approaches — feminist, homosexual, post-colonial, Marxist, Freudian, new historical, and others — but also…
Mike Allen of Reformed Theological Seminary, Orlando, scores some points in his review of The End of Protestantism . He lodges the fair complaint that my rhetoric sometimes outruns my evidence. He argues that more stress on the present reality of the church’s unity deepens the tragedy of division; divisions…
I begin with two observations. First, on any millennial view, the Christian account of history is progressive, moving from the garden to the city. It is eschatological not only in that there is an end, but that the end is a glorified beginning, not merely a return to origins. To…
The church is a new form of polity that erupts into the world as much as the Son of God comes into the world. It’s a real-world political alternative to the polities of the ancient world. It resolves many of the political dilemmas of the ancient world, though not simply…
In my last post , I explained how Baptists really have a “one-ordinance-one sacrament” ecclesiology. I said this: “what Baptists really believe, in modern parlance, is that there is one ordinance (baptism which is a sign or symbol only) and one sacrament (the Lord’s Supper in which feeding upon Jesus…
One of the most extensive and penetrating responses to the Yoder-Hauerwas attack on Constantiniansm is found in Oliver O’Donovan’s Desire of Nations , in a chapter entitled “The Obedience of Rulers.” O’Donovan defines the word “Christendom” as “a historical idea,” specifically “the idea of a professedly Christian secular political order,…
Showing page 111 of 309
Showing page 30 of 43
Christopher Warner argues in The Augustinian Epic that Renaissance epic and medieval exegesis share two crucial features. First, both share an interest in history, but one that aims to peer behind the veil of fact into the allegorical meaning of facts. Petrarch’s epic of the Second Punic War and Tasso’s…
At the beginning of Revelation, the Spirit speaks to the seven churches. At the end, the voice of the bride and the voice of the Spirit become one, speaking a single wish: Come, Lord Jesus. By suffering with the Bridegroom, the bride learns His dialect. She becomes attuned to His…
Dennis Pardee’s Ritual and Cult at Ugarit collects texts that are relevant to Ugaritic cult, especially sacrificial cult. He ends the book with a helpful survey of the similarities and differences between Ugarit and the Bible. One of the differences has to do with the use of blood. “The blood…
The Lego movie has a cutting-edge social message, writes Ben Walters in The Guardian : “The film’s exuberant, kid-friendly larks – Wild West! Robot pirates! Unicorn kittens! Batman! – are laced with satirical digs at surveillance culture, built-in obsolescence and police brutality, as well as inane positive thinking. Its opening…
Gary Shteyngart writes in The Russian Debutante’s Handbook (2007): “A knowledgeable Russian lazing around in the grass, sniffing clover and munching on boysenberries, expects that at any minute the forces of history will drop by and discretely kick him in the ass. “A knowledgeable Jew in a similar position expects…
Sean McDonough’s YHWH at Patmos (1999) is a 250+ page book about a single verse, Revelation 1:4. Really, only one phrase of that verse: “He who is and who was and who is coming.” McDonough traces the pre-history of the phrase to the name Yahweh. More surprisingly, he finds precedent…
Showing page 683 of 2212
Your weekly digest for all things Theopolis.
