Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
1. Come, Ye Thankful People, Come. This hymn by Henry Alford is found in many hymnals, including Cantus Christi . Yet, the last stanza radically contradicts the theological perspective of the historic faith and of the editors of this hymnal. It is a witness to how we tend to bounce…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 7. The Literary Shape of the Covenant As we have seen, there is a succession of covenants in the Bible, each more glorious than the previous, each absorbing and transfiguring…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 6. Covenant Phases in the Bible Thus far we have spoken of only three phases in the history of the one covenant. We must now divide the third phase into…
This series of post were originally published at the Biblical Horizons blog. The entire paper can be downloaded HERE . 5. Priest, King, and Prophet We can begin with the phrase “prophet, priest, and king.” This is the order normally heard from preachers and theologians. But it is not really…
This is a fine hymn by John Mason Neale, based on an ancient Greek church hymn. The opening question is particularly powerful: “Christian, dost thou see them on the holy ground, how the powers of darkness compass thee around?” Yes, the devil strikes in the very church and her worship…
This syrupy piece of marijuana-haze hymnody is found in the hymnals of churches that have substituted sentiment for orthodoxy and worship. Hence you don’t find it in older Presbyterian hymnals, but in the Trinity Hymnal. Nor do you find it in Episcopal and Lutheran hymnals until very recently in some…
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Christopher Warner argues in The Augustinian Epic that Renaissance epic and medieval exegesis share two crucial features. First, both share an interest in history, but one that aims to peer behind the veil of fact into the allegorical meaning of facts. Petrarch’s epic of the Second Punic War and Tasso’s…
At the beginning of Revelation, the Spirit speaks to the seven churches. At the end, the voice of the bride and the voice of the Spirit become one, speaking a single wish: Come, Lord Jesus. By suffering with the Bridegroom, the bride learns His dialect. She becomes attuned to His…
Dennis Pardee’s Ritual and Cult at Ugarit collects texts that are relevant to Ugaritic cult, especially sacrificial cult. He ends the book with a helpful survey of the similarities and differences between Ugarit and the Bible. One of the differences has to do with the use of blood. “The blood…
The Lego movie has a cutting-edge social message, writes Ben Walters in The Guardian : “The film’s exuberant, kid-friendly larks – Wild West! Robot pirates! Unicorn kittens! Batman! – are laced with satirical digs at surveillance culture, built-in obsolescence and police brutality, as well as inane positive thinking. Its opening…
Gary Shteyngart writes in The Russian Debutante’s Handbook (2007): “A knowledgeable Russian lazing around in the grass, sniffing clover and munching on boysenberries, expects that at any minute the forces of history will drop by and discretely kick him in the ass. “A knowledgeable Jew in a similar position expects…
Sean McDonough’s YHWH at Patmos (1999) is a 250+ page book about a single verse, Revelation 1:4. Really, only one phrase of that verse: “He who is and who was and who is coming.” McDonough traces the pre-history of the phrase to the name Yahweh. More surprisingly, he finds precedent…
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