Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
If we say that we have no sin, we deceive ourselves, and the truth is not in us. (1 John 1:8) O God the Father, creator of heaven and earth, Alpha and Omega, beginning and end, who inspired Creation with the breath of your nostrils, who placed Adam in the…
For nearly a half-century, Sodom has been a key symbol in the American culture wars. On the one side, we have an aggressive movement among homosexuals that has first decriminalized homosexual conduct, then to force cultural and legal recognition of homosexuals as a minority and to normalize homosexual behaviors, finally…
Speaking of the Church, Romans 11:16-17 says, "And if the root be holy, the branches are also. But if some of the branches were broken off, and you, being a wild olive were grafted in among them and became partaker with them of the root of the fatness of the…
At the end of Isaiah 61, Yahweh's Servant rejoices because the Lord clothes Him with salvation and righteousness. He decks Him like a bridegroom with a garland on His head. He wears jewels like a bride. He is a new bridegroom in a new garden of Eden, a garden of…
Before anything else, a word about “Torah” may be in order. I have been persuaded that “law” is a bad translation of “Torah,” even though it is evident that what is called “Torah” does have commandments, statutes, and ordinances in abundance. Why not “law?” “Law” as a translation for “Torah”…
Few novelists seem as innocent of the temptation to punditry as Jane Austen. Though living through a period that witnessed the birth of an independent United States, the French Revolution and the Terror, the Napoleonic wars and the rise of revolutionary romanticism, and the upheavals of the Industrial Revolution, she…
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There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning.
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew…
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of this world founded upon a…
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh consonants of ’ to eat of…
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to…
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every attractive feature of anything whatsoever, radiates outwards, rendering things apprehensible and…
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