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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Culture

An Introduction to the Sacred Music of Josquin

This essay is adapted from my articles in Theopolis’s In Medias Res as a series of Holy Week meditations. Like many celebrities such as Kanye or Beyoncé or Adele, Josquin des Prez (d. 1521) was often known only by his first name, in his own time as now. “Josquin” is…

by John AhernJuly 29, 2025
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Numbers

Sight and Memory: Examining the Monuments of Numbers

Sight is a major theme in the scriptures. The church has long identified sight’s relationship to the future fulfillment of the eschaton. As Paul says, “For now we see only a reflection as in a mirror; then we shall see face to face” (1 Cor 13.12). Sight is associated with…

by Matthew DarbyJuly 22, 2025
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Biblical Theology

Yahweh’s Flame: the Gospel through Symbolism

What is the chief end of man? —yes, to glorify God and enjoy him forever. But how ought man–and all creation–so glorify him? I propose a Theopolitan addition to the catechism, question and answer number 1.5, begun in the last question and answered as follows: Earth’s inhabitants were created to…

by Ben LoveladyJuly 16, 2025
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Culture

Morality and the Practice of Poetry

Naphtali is a hind let loose: he giveth goodly words. Genesis 49:21 Frederick Buechner once said, “We move into the extraordinary by way of the ordinary.” In poetry, this happens by way of a compressed code of analogs; often, two or more very ordinary things begin to reveal something that…

by Garrett SoucyJuly 8, 2025
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Ephesians

The Trinitarian Structure of Obedience

The evangelical milieu of America has often lost a vision of the fruit of repentance. We tend to simplify repentance by asking for forgiveness. After all, Jesus tells Peter to forgive 70 times 7. This verse must be paired with Paul’s scoffing at the question: why not sin more so…

by Matthew CoreyJuly 3, 2025
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Luke

The Hemorrhaging Woman, the Eucharist, and the Sermon

I. The hemorrhaging woman. En route to Jairus’ house, Jesus is touched by a woman with a hemorrhage of blood (Matt 9:18–26; Mk 5:21–34; Lk 8:40–48). The story is one that many of us know very well. She has been yoked to her illness for twelve years, all of her…

by Mark BriansJuly 1, 2025

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History

Male Muse

In a NYT review of Arthur Phillips’s latest, Kate Christensen comments, “The male muse is an unaccountably rare thing in art, with the exception of the men who inspired the likes of Auden and O’Hara — that is, men who were as sexualized and fetishized as their female counter parts,…

April 10, 2009
History

We Were Never Modern

Carl Becker ( The Heavenly City of the Eighteenth-Century Philosophers ) writes that though the Philosophes were devoted to reason, “a skeptical lot, atheists in effect if not by profession, addicted to science and the scientific method, always ready to crush the infamous, valiant defenders of liberty, equality, fraternity, freedom…

April 10, 2009
History

House of gods

In an article on Constantine’s church-building, Gregory Alexander repeats a commonplace about the difference between pagan and Christian places of worship: “The temple is a house for the god; the church is a gathering place for communal worship.” Yes, but: Jesus says He’ll be there in our gathering, so the…

April 9, 2009
History

Freeman on Persecution

Freeman’s colossal misconceptions come out on every page. Under that patient persecution by the Romans, some Christians saw the light and offered sacrifice, but others “resisted to the point of martyrdom.” Not that it mattered much; they were eager to die, since they preferred “their reward in heaven . .…

April 8, 2009
History

Freeman’s distortions

Two instances of Freeman’s distortions (these from The Closing of the Western Mind ). First, he has a couple of pictures of the Riace warrior statue from Delphi, which “represents man at his most heroic, almost a god in his own right.” On the facing page he says “By the…

April 8, 2009
History

Christ and Caesar

Charles Freeman notes that the sarcophagus of the Roman aristocrat Junius Bassus depicts Jesus “entering Jerusalem as if he was an emperor entering a city, and above this image he is shown sitting in glory on an imperial throne set above a representation of heaven.” He cites Sabine MacCormack’s comment…

April 8, 2009

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