Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
When God created Adam, He gave him both a vision and a responsibility. The big vision was the Dominion Mandate. The more specific calling was to cultivate and guard the Garden. God also told Adam about the gold of Havilah, which was good and beautiful (that is how the Hebrew…
After the death of Jan Hus (1369–1415), his successors, the Hussites, began to develop his thoughts on the theology and practice of the Church, particularly on= the question of the lay chalice. This time, however, it was not a question of whether this should be permitted at all—after all, this…
Imagine a friend of yours got involved in a commune, one of the really crunchy ones that does their own farming and such along with poetry nights and music and art. They’re pretty good at all this, actually. They’re using some really interesting permaculture practices at the communal farm, the…
Genesis 22, the story of Abraham’s near-sacrifice of Isaac, is one of the more well-known typologically dissected passages in the Bible. But just for the sake of dotting “i”s, here is a quick rundown: The promised son’s appearing was awaited a very long time (Genesis 12:4; 15:2–3; 16:16; 17:17; 21:1–5;…
A Narrative Sermon on Luke 22:24-46 As Luke walked through the rain toward the corner house he was apprehensive. That surprised him. He knew all along that this was the climax of the process—that he would have to present his work to these men before it could be copied and…
In 2004, an article by Slavoj Žižek appeared in Psychoanalytic Review entitled, ‘What Can Psychoanalysis Tell Us About Cyberspace?’ One of the answers that Žižek offers is that cyberspace creates an environment within which the consumer gets to play in a world where there is no God. In his use…
Showing page 5 of 309
Showing page 31 of 43
Plays might be promoted as a kind of opiate of the masses: Mass entertainment that keeps them from more violent entertainments like rioting and pillaging. This could be problematic, if the entertainments were too heady for most people to follow. Thomas Heywood (1612) suggested that playwrights should “ayme . .…
How regulated was Shakespeare’s own theater? And for what reasons? Patterson highlights various reasons for closing or permitting theaters: audience composition, including the fear that a large collection of workers might be distruptive; public health; economic concerns; religious and moral concerns, especially Sabbatarian; and “a shifting and elusive imperative to…
Shakespeare’s fortunes in the US were, understandably, different from in England. Initially, Shakespeare was America’s most popular playwright, appealing to a wide sector of the American populace. Patterson notes that “by the end of the nineteenth century ‘Shakespeare’ had become a cultural icon, the property only of the ‘legitimate theater,’…
Annabel Patterson notes ( Shakespeare and the Popular Voice ) that contemporary critics, whatever their own political outlook, assume that Shakespeare was an advocate of Elizabethan hierarchy. This view, however, is a product of the 19th century. Dryden, Johnson, and others criticize Shakespeare for violating the conventions of his genre,…
By the 18th century, acting styles also invested Shakespeare with “courtly” virtues of control, dignity, stateliness. Dobson writes, “Shakespearian acting . . . in the decades following Betterton’s death in 1710, seems to have settled into a grandiloquent vein of static declamation, best exemplified by the stout James Quin (1693-1766)…
Dobson again: “after Charles II’s death in 1685 England would never again have another monarch with such an informed interest in the drama (or, mercifully, such a lascivious one), and deprived of royal patronage and protection the playhouses came under renewed attack from the moralists (led by the redoubtable clergyman…
Showing page 1785 of 2212
Your weekly digest for all things Theopolis.
