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Writing

Explore our collection of theological essays, biblical studies, and reflections on faith and culture.

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Culture

An Introduction to the Sacred Music of Josquin

This essay is adapted from my articles in Theopolis’s In Medias Res as a series of Holy Week meditations. Like many celebrities such as Kanye or Beyoncé or Adele, Josquin des Prez (d. 1521) was often known only by his first name, in his own time as now. “Josquin” is…

by John AhernJuly 29, 2025
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Numbers

Sight and Memory: Examining the Monuments of Numbers

Sight is a major theme in the scriptures. The church has long identified sight’s relationship to the future fulfillment of the eschaton. As Paul says, “For now we see only a reflection as in a mirror; then we shall see face to face” (1 Cor 13.12). Sight is associated with…

by Matthew DarbyJuly 22, 2025
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Biblical Theology

Yahweh’s Flame: the Gospel through Symbolism

What is the chief end of man? —yes, to glorify God and enjoy him forever. But how ought man–and all creation–so glorify him? I propose a Theopolitan addition to the catechism, question and answer number 1.5, begun in the last question and answered as follows: Earth’s inhabitants were created to…

by Ben LoveladyJuly 16, 2025
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Culture

Morality and the Practice of Poetry

Naphtali is a hind let loose: he giveth goodly words. Genesis 49:21 Frederick Buechner once said, “We move into the extraordinary by way of the ordinary.” In poetry, this happens by way of a compressed code of analogs; often, two or more very ordinary things begin to reveal something that…

by Garrett SoucyJuly 8, 2025
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Ephesians

The Trinitarian Structure of Obedience

The evangelical milieu of America has often lost a vision of the fruit of repentance. We tend to simplify repentance by asking for forgiveness. After all, Jesus tells Peter to forgive 70 times 7. This verse must be paired with Paul’s scoffing at the question: why not sin more so…

by Matthew CoreyJuly 3, 2025
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Luke

The Hemorrhaging Woman, the Eucharist, and the Sermon

I. The hemorrhaging woman. En route to Jairus’ house, Jesus is touched by a woman with a hemorrhage of blood (Matt 9:18–26; Mk 5:21–34; Lk 8:40–48). The story is one that many of us know very well. She has been yoked to her illness for twelve years, all of her…

by Mark BriansJuly 1, 2025

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Toleration Without Liberalism

W e Americans pride ourselves on our religious freedom absolutism. Officially, the U.S. permits all religious expression and prohibits none. In reality, the situation is more complicated, since the scope of “religious expression” has to be negotiated by American courts. Polygamy isn’t protected religious practice, for instance, and a Presidential…

April 26, 2017

Othello Off Pitch

T he Sam Wanamker Playhouse, a Jacobean theater in the Globe complex in London, seats 340 in three tiers, tightly crowded on backless benches. During performances, the stage is lit by candles burning from six chandeliers. Actors enter and exit within inches of the audience. During Othello a few weeks…

April 26, 2017

Mugabe and the Pastor

T he Mail & Guardian Africa reports on Zimbabwean pastor Evan Mawarire, who has inspired a nationwide resistance to Robert Mugabe and now faces sedition charges. In April 2016, Mawarire “draped Zimbabwe’s flag over his shoulders, logged on to Facebook and delivered a passionate appeal to his fellow countrymen. He…

April 25, 2017

House of Prayer

The Chronicler's account of the completion of the house of the Lord (2 Chronicles 5-7) is arranged in a fairly neat chiasm. A. Solomon finishes ( shalam ) work, 2 Chronicles 5:1 B. Solomon celebrates the feast in the seventh month, 5:2 C. Levites take ark into the house, with…

April 24, 2017

Malick's Hollywood

Terrence Malick has been on a filmmaking tear, most recently releasing Song to Song . He's back, but that hasn't dulled his skepticism about the film industry. Brett McCracken sees Malick's earlier Knight of Cups as, in part, a reflection of Malick's “complicated relationship with Hollywood”: “Malick’s critique of Hollywood,…

April 21, 2017

Disenchanted Marxists

Karol Berger argues ( A Theory of Art ) that Lyotard's famed distinction of modern and postmodern is “far too stark.” In fact we aren't faced with a simple choice “between a belief in universal history grasped by an all-explaining meta-narrative and a belief in a plurality of equally valid…

April 21, 2017

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