Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
Many years ago, while perusing Janice Anderson’s revised doctoral dissertation, Matthew’s Narrative Web: Over, and Over, and Over again , I was impressed by her attention to literary structures of repetition within and across Matthew’s Gospel. 1 Her research, in part, nudged me closer toward my present conviction that Matthew…
Abbreviated Introduction to the Series Scripture is absolutely dripping with animal metaphors. Animal traits, characteristics, and appearances are attributed to God, Man, Angels, Nations, Armies. Since animals are the lowest creature in the three-tiered hierarchy, they are useful to metaphorically focus on a single aspect of God (bold like a…
“Like a lily among the thorns, so is my love among the maidens… My beloved is mine and I am his; he pastures among the lilies.” Song 2:2, 16 In chapter two of the Song of Solomon, the Beloved compares his Love to a lily among thorns. The language of…
Introduction From the very beginning, angels and animals have played mediating roles between God and Man. Just as the World was made three-tiered (Heaven, Earth, Deep), so the creatures were made (Angels, Men, Animals). Before Christ came to build the permanent bridge across the chasm between God and Man, various…
Matthew 13, the third major discourse of the apostle’s gospel, is comprised almost entirely of parables. While it may seem that all the parables serve the same purpose in fulfilling the prophet Isaiah (Matthew 13:14), the parables found in verses 44–52, at the very least, function outside that purpose. This…
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C hristian often focus on the intense physical suffering Jesus endured on the cross. During crucifixion, a victim’s body was torn with nails and his limbs stretched, as he slowly suffocated. Think of Matthias Grunewald’s angular, contorted Jesus. The gospel writers pay little attention to Jesus’ pain. They understood that…
F rom the cross, Jesus cries, “ Eli, Eli, lama sabachthani !” “My God, my God, why have you forsaken me?” It’s from Psalm 22, but the Jews say He’s calling for Elijah. Are they so dull they can no longer recognize Scripture? More likely, they mean it in mockery.…
R ichard Sorabji observes ( Time, Creation, and the Continuum ) that there have been disputes among philosophers concerning the goodness of philosophical perplexity. Wittgenstein compared it to a fly trapped in a bottle, which suggests “it would have been better . . . never to have suffered perplexity at…
K arol Berger ( Bach's Cycle, Mozart's Arrow ) sets out to reassess what we mean by “modernity” in music. For Berger, that involves discovering a caesura somewhere between Bach and Mozart. They are not, he argues, to be considered part of a continuous tradition of classical music; rather, they…
O liver O'Donovan ( Desire of Nations , 262-3) points to the difficulty in the concept of equality. A purely formal doctrine is uninteresting and thin. A theory of equality must be capable of posing a challenge to “alleged distinctions which may be supposed to justify differences in the way…
W ise words concerning shifts in Christian teaching on the family from Oliver O'Donovan ( Desire of Nations , 266-7). He points out that Jesus' teaching on the family is mainly critical, assaulting the family's “claims to religious and social loyalty.” The apostles “re-envisage” the family “in a manner appropriate…
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