Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Mystical theologians are often unguarded, extreme, un-nuanced, pressing to the edges of heresy, sometimes beyond. Still, the mystics are worthy of study. Why? Many reasons. Unlike some late medieval and post-Reformation dogmaticians, mystical theologians are often instinctively and richly Trinitarian. Historical-critical approaches to Scripture left mystical theologians virtually untouched; mystics…
Portia of Belmont is a “lady richly left,” as Bassanio says of her in the first Act of The Merchant of Venice . Plus, she’s beautiful and wise. Suitors clamber to Belmont in hope. Her father knew it would be so, and in his will set up a fairy-tale test…
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In the nature of the case, “the” Christian meditation on Deuteronomy 14:1-21 cannot be written. Meditation offers too many possibilities, opens too many doors. There is not one and only one correct set of associations for a Christian to consider when thinking of Deuteronomy 14:1-21. We could, for example, consider…
Having retold the story of the cumulative sin of Israel leading to the great atonement on the cross, Paul then reemphasizes that, just as both Jew and Gentiles were locked into sin and judgment, now they are both justified by faith: Then what becomes of our boasting? It is excluded.…
Deuteronomy 14 is full of allusions to events of Israel’s history and other portions of Scripture. What would an Israelite learn by mediation on these allusions? The answer, I believe, is at least fourfold. Faith, Worship, War For the ancient Israelite first hearing Moses’ sermon, or perhaps hearing it read…
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J ean-Louis Chretien begins his Hand to Hand with a series of meditations on the story of Jacob wrestling with God, and artistic representations of that episode. He quotes Francois de Sales, who wrote: “Our Lord may turn us and sweep us round to the left or to the right;…
I n Hand to Hand , Jean-Louis Chretien meditates on silence in painting. He doesn't simply mean that painting is a visual rather than an audible art. Instead, he argues that paintings must not only be viewed but listened to: “To say that painting is silent is to say that…
“G iving oneself up to sleep can constitute the worst of abandonments,” writes Jean-Louis Chretien ( Hand to Hand ), “wherein we abandon another person to his solitude and his distress by withdrawing ourselves from the common world and from our community with him. Our eyelids close upon our weary…
P aul Collier devotes a long, provocative, stimulating TLS review to a sketch of a “new pragmatism.” The review doubles as an essay on the “future of capitalism.” Along the way, Collier discusses the problems of multiculturalism and gives qualified endorsement to nationalism. Multiculturalism must be “bounded,” partly because Western…
D avid I. Smith and Susan M. Felch ( Teaching and Christian Imagination ) want to rehabilitate the symbolism of “gardening” as a model of education. It does require rehabilitation, not least because of Rousseau, who wrote: “God makes all things good. . . . [but] man meddles with them…
D avid Smith and Susan Felch devote several pages of their Teaching and Christian Imagination (129–134) to a summary of John Amos Comenius's seventeenth-century treatise on education, Great Didactic . Comenius starts where humanity starts, with Eden's garden, and reflects that the garden is not only man's original location but…
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