Explore our collection of theological essays, biblical studies, and reflections on faith and culture.
Isaac E. Mozeson, The Word: The Dictionary that Reveals the Hebrew Sources of English (Northvale, NJ: Jacob Aaronson Inc., 1995), 310 pp. Reviewed by James B. Jordan. Once there was only one language in the world, the language God spoke to Adam. At the Tower of Babel, there came to…
2. The Setting of the Book of Esther A. Xerxes (continued from previous issue) Ezra 6:14 says that the Jews finished building "according to the command of the God of Israel and the decree of Cyrus and Darius and Artaxerxes king of Persia." The problem with this verse is that…
This essay goes with our previous study of the Amalek pattern back in Biblical Horizons No. 2. Since many do not have this essay, entitled "The Battle of Gog and Magog," let me cite the relevant paragraphs: Note in Genesis 12-15 that Abram moves into the land after escaping Pharaoh…
Proverbs 7:6-23 is one of several passages early in the Proverbs in which Solomon warns his son about the wiles and dangers of the "strange woman." It is certainly quite proper to take these as straightforward warnings against sexual sins, and these are certainly warnings that need to be impressed…
1. In Luke 4:20 we read that after Jesus finished reading from Isaiah, "the eyes of all in the synagogue were fixed upon Him." This is usually taken in a psychological sense: They were amazed at Jesus somehow. I suggest that, as always, a merely psychological reading is a modern…
2. The Setting of the Book of Esther Up to now we have assumed what we must prove, that the king in Esther is Darius the Great. While Biblical chronologists have usually taken this position, commentators on the book of Esther have often taken others as the king. One view,…
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B orn to Run is an anthem of escape, seemingly an exodus from the confinements of small-town America: “H-Oh, Baby this town rips the bones from your back / It’s a death trap, it’s a suicide rap / We gotta get out while we’re young / ‘Cause tramps like us,…
T errence Rafferty calls filmmaker Guillermo del Toro the “Master of Highbrow Horror” ( The Atlantic ). He traces del Toro’s aesthetic to a childlike mix of fear and fascination: “Toro’s work isn’t simply the something’s-out-to-get-you feeling of conventional scare pictures. It’s fear mixed with fascination, a childlike wonder at…
I n an essay on the notion of “cosmopolitanism,” Wayne Cristaudo presents Franz Rosenzweig and Eugen Rosenstock-Huessy as thinkers who propose an un philosophical cosmopolitanism. That un- is critical, Crustaudo thinks, to a genuine recognition of and reckoning with difference: Both Rosenzweig and Rosenstock oppose “the more typical philosophical approach…
J anet Adelman ( Blood Relations ) devotes an interesting chapter to analyzing Lancelot’s departure from Shylock’s house, and his strange reunion with his father Gobbo, in Merchant of Venice . Lancelot has been Shylock’s servant, but he has had enough and, like Shylock’s daughter Jessica, he leaves for the…
I n his provocative essay on Gender , Ivan Illich describes a shift from “vernacular gender” to “social sex.” By the former, he meant “a distinction in behavior, a distinction universal in vernacular cultures. It distinguishes places, times, tools, tasks, forms of speech, gestures, and perceptions that are associated with…
Ivan Illich ( Gender ) points to the differences between the activities of a modern housewife and those of her grandmother. They are practically and economically quite distinct. “When a modern housewife goes to the market, picks up the eggs, drives them home in her car, takes the elevator to…
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